Series Editor's Preface. List of Illustrations. Notes on Contributors. Introduction: The Image in Question: Stephanie Moser (University of Southampton) and Sam Smiles (University of Plymouth). 1 Romancing the Human: The Ideology of Envisioned Human Origins: Paul Privateer (Arizona State University). 2 "We Grew Up and Moved On": Visitors to British Museums Consider Their "Cradle of Mankind": Monique Scott (Yale University). 3 The American Time Machine: Indians and the Visualization of Ancient Europe: Stephanie Pratt (University of Plymouth). 4 "To Make the Dry Bones Live": Amédée Forestier's Glastonbury Lake Village: James E.

Phillips (University of Southampton). 5 Unlearning the Images of Archaeology: Dana Arnold (University of Southampton). 6 Illustrating Ancient Rome, or the Ichnographia as Uchronia and other time warps in Piranesi's Il Campo Marzio : Susan M. Dixon (University of Tulsa). 7 Thomas Guest and Paul Nash in Wiltshire: two episodes in the artistic approach to British antiquity: Sam Smiles (University of Plymouth). 8 A Different Way of Seeing? Toward a Visual Analysis of Archaeological Folklore: Darren Glazier (University of Southampton). 9 Photography and Archaeology: The Image as Object: Fred Bohrer (Hood College). 10 Wearing Juninho's Shirt: Record and Negotiation in Excavation Photographs: Jonathan Bateman (University of Sheffield).

11 Video Killed Interpretative VR: Computer Visualisations on the TV Screen: Graeme P. Earl (University of Southampton). 12 The Real, the Virtually Real and the Hyperreal: The Role of VR in Archaeology: Mark Gillings (University of Leicester). Index.