Praise for Dear New York: "Humans of New York creator Stanton ( Humans ) captures the beating heart of New York City--its people--in this vibrant love letter to the metropolis. Stanton''s knack for capturing his subjects'' voices is on full display, making for a collection that easily ranges from heartbreaking to bizarre to humorous." -- Publishers Weekly (starred review) "The book''s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope. A timely reminder that cities are made up of individuals, each with their own stories." -- Kirkus Reviews On Humans of New York and Humans of New York: Stories : "Some street photographers hide behind phone booths like paparazzi so their subject won''t be aware of their presence, but for Stanton it''s precisely that awkward interaction, the tearing down of the wall between strangers, that he covets." -- The Huffington Post "There''s no judgment, just observation and in many cases reverence, making for an inspiring reading and visual experience." -- Publishers Weekly "As the quotes grew longer, and the interviews deeper, Stanton developed a signature storytelling style--one that blends the lure of urban voyeurism with an eye for the extraordinary detail in seemingly ordinary subjects. What makes these photographs compelling is their sincerity, their air of authenticity.

All are taken on the spot of first contact. Some people are caught mid-sentence. Even those who pose are free of the sterile stiffness of staged portraits." -- The Economist "A wondrous mix of races, ages, genders, and social classes, and on virtually every page is a surprise." -- Kirkus Reviews (starred review) gment, just observation and in many cases reverence, making for an inspiring reading and visual experience." -- Publishers Weekly "As the quotes grew longer, and the interviews deeper, Stanton developed a signature storytelling style--one that blends the lure of urban voyeurism with an eye for the extraordinary detail in seemingly ordinary subjects. What makes these photographs compelling is their sincerity, their air of authenticity. All are taken on the spot of first contact.

Some people are caught mid-sentence. Even those who pose are free of the sterile stiffness of staged portraits." -- The Economist "A wondrous mix of races, ages, genders, and social classes, and on virtually every page is a surprise." -- Kirkus Reviews (starred review)gment, just observation and in many cases reverence, making for an inspiring reading and visual experience." -- Publishers Weekly "As the quotes grew longer, and the interviews deeper, Stanton developed a signature storytelling style--one that blends the lure of urban voyeurism with an eye for the extraordinary detail in seemingly ordinary subjects. What makes these photographs compelling is their sincerity, their air of authenticity. All are taken on the spot of first contact. Some people are caught mid-sentence.

Even those who pose are free of the sterile stiffness of staged portraits." -- The Economist "A wondrous mix of races, ages, genders, and social classes, and on virtually every page is a surprise." -- Kirkus Reviews (starred review)gment, just observation and in many cases reverence, making for an inspiring reading and visual experience." -- Publishers Weekly "As the quotes grew longer, and the interviews deeper, Stanton developed a signature storytelling style--one that blends the lure of urban voyeurism with an eye for the extraordinary detail in seemingly ordinary subjects. What makes these photographs compelling is their sincerity, their air of authenticity. All are taken on the spot of first contact. Some people are caught mid-sentence. Even those who pose are free of the sterile stiffness of staged portraits.

" -- The Economist "A wondrous mix of races, ages, genders, and social classes, and on virtually every page is a surprise." -- Kirkus Reviews (starred review)lling style--one that blends the lure of urban voyeurism with an eye for the extraordinary detail in seemingly ordinary subjects. What makes these photographs compelling is their sincerity, their air of authenticity. All are taken on the spot of first contact. Some people are caught mid-sentence. Even those who pose are free of the sterile stiffness of staged portraits." -- The Economist "A wondrous mix of races, ages, genders, and social classes, and on virtually every page is a surprise." -- Kirkus Reviews (starred review).