Gabriele Genge (Edited by) Gabriele Genge is a professor for modern and contemporary art history and art theory at the University Duisburg-Essen. Her recent research covers particularly transcultural and postcolonial areas of the discipline with a specific focus on French Colonialism and African and African-American image theory, knowledge systems and epistemology as well as migratory issues in art history. She supervised the DFG research project »The Anachronic and the Present: Aesthetic Perception and Artistic Concepts of Temporality in the Black Atlantic.« Ludger Schwarte (Edited by) Ludger Schwarte is a professor of philosophy at the Kunstakademie Duesseldorf. After positions as assistant professor of image theory at the University of Basel and as a professor of aesthetics at the Zurich University of Arts, visiting scholarships led him to University Paris 8, GACVS (Washington), Maison des Sciences de l'Homme (Paris), University of Abidjan, Columbia University (New York), the EHESS (Paris) and to the IKKM (Weimar). His areas of research lie in aesthetics, political philosophy, philosophy of culture, ontology, and the history of science. Angela Stercken (Edited by) Angela Stercken (PhD) is a senior researcher in the DFG project »The Anachronic and the Present: Aesthetic Perception and Artistic Concepts of Temporality in the Black Atlantic« at the University of Duisburg-Essen and member of the DFG-Network »Entangled Histories of Art and Migration: Forms, Visibilities, Agents.« Her research fields lie particularly in the theory of image in modern and contemporary art, in space, technology and timekeeping since the 18th century, in phenomena of temporality in art as well as migratory transcultural and transmedia processes especially in maritime spaces such as the transatlantic.