Stojanovic's collected poems, the first pentalogy he wrote between 1978 and 2000,  represent a unique and intricate poetic universe, comprising five exceptional poetry collections, vividly capturing his artistic evolution and distinctive poetic vision. It begins with Circling: 1978-1987, published in 1993, where Stojanovi¿ embarks on an insightful exploration of thought and sensory experience, laying a foundation that beautifully ties his later works together. This collection reflects the dynamic interplay between movement and matter, establishing a thematic tone that resonates throughout his subsequent writings. In The Sun Watches the Sun, released in 1999, Stojanovi¿ deepens this inquiry, inviting readers to contemplate the intricate relationship between existence and perception. He reveals how light and observation shape our understanding through striking imagery and profound reflections, demonstrating his remarkable capacity to weave philosophical ideas seamlessly into his poetry.          The year 2000 marks a significant moment with the publication of three notable collections: The Creator, The Sign and Its Children, and The Shape. In The Creator, he delves into the essence of genesis and existence, raising thought-provoking questions about the nature of creation. This collection exemplifies his ability to merge poetic beauty with deep philosophical exploration.

Meanwhile, The Sign and Its Children investigates the nuances of language and symbolism, showcasing Stojanovic's talent for creating layered meanings that resonate on multiple levels. Concluding the pentalogy is The Shape, also published in 2000, which encapsulates Stojanovic's overarching themes by highlighting the fluidity of form and movement within his poetic realm. In this final work, he adeptly illustrates how creation and its manifestations perpetually evolve, encouraging readers to embrace complexity and paradox.