The second collection of Dejan Stojanovic's verse, The Sun is Watching Itself, is covered by a metaphysical and philosophical veil. Eleven segments are connected by these two abstract approaches and key images, such as a circle, suggesting infinity, and silence, reflecting space and eternity. The circle serves as a powerful symbol and a device of the perpetual in this poetry: "The end without endlessness is only a new beginning," claims the poet. Thus, one of the poems bears the title "God and Circle," symbolizing the perennial search for an exit and the eventual finding of one, which only leads into another circle and to continuous evolution. This prompts Stojanovic to ask, "Is God himself a Circle?"--implying that God is endless and ever-present. Although concise, the poems convey messages from the triad circle of God-eternity in a powerful and specific manner, connected by man's destiny and the poet's concept of human life and origins and of the universe itself. In other words, microcosmic observations lead to macrocosmic revelations and didactic conclusions. The poems seem to teach us what is obvious in the context of common sense, often surprisingly remote to the modern man.

The format has its logical beginning and end. "The Sun is Watching Itself" begins with poems dedicated to God and the universe, then descends from the metaphysical to the philosophical, focusing on more ordinary such us the symbolic meaning of a stone, a game, a place, silence, hopelessness, and the question "Is it possible to write a poem?" Stojanovic's collection might well serve as an affirmative answer to this question. The poet has taken us on a long journey from God and the universe to our everyday world. We all seem to be a part of a circle, says the author, searching for the eternal in the universe, only to realize the finality of life on earth. The poet's message is doubly effective for its extraordinary, soul-searching content and reflective, powerful language. -Branko Mikasinovich, Washington, D.C. WLT World Literature Today, A Literary Quarterly of the University of Oklahoma, Norman, Oklahoma Volume 74, Number 2, Spring 2000.