"The volume, accompanied by an extensive bibliography and a final index of names and concepts, is well edited and easy to read.the book, thanks to the extensive number of citations and references with which it is shaped, is a masterful work in providing a comprehensive and convincing picture of the relationship between performance and law over many centuries." -- Stefania Giombini, Autonomous University of Barcelona, translated from Bryn Mawr Classical Review"Peters pursues the puzzle of law''s vividae rationes, its speaking to the eye, with her characteristic erudition, analytic acuity and verbal verve. The long history of legal theatrics, of air filled with gestures, of the clamor of the pit, of costume, contumely and conflict here find their appositely dramatic inscription. Exhaustive and meticulous, the history of the myriad forms in which jurists have staged legal judgement takes on an urgent topicality as social media and its omnivoyant lenses fulminate the forensic forum into the viral voracity and extravagant exposure of an increasingly populist online public sphere. In sum and pestle, Law as Performance brilliantly transforms the cold gray Janus face of the jurist into the terpsichorean and tempestive figure of justice being done." -- Peter Goodrich, Professor of Law, Director of the Program in Law and Humanities, Cardozo Law School"In this extraordinarily detailed study, Julie Stone Peters lays out the rich tradition of lawyerly performance and establishes in an entirely persuasive manner the uneasy, tension-filled and yet symbiotic relationship between law''s desire to inhabit a cool rational center and the inevitable eruption of eloquence and emotion in the services of causes both noble and savage. A fine achievement.

" -- Stanley Fish, Davidson-Kahn Distinguished University Professor of Humanities and Law, Florida International University, author of Versions of Academic Freedom: From Professionalism to Revolution (2014), How Milton Works (2001), and Doing What Comes Naturally: Change, Rhetoric, and the Practice of Theory in Literary and Legal Studies (1989)"In this fascinating and elegantly written monograph, Julie Stone Peters explores the theatricality of trials and punishments in ancient, medieval, and Early Modern Europe. She profoundly interrogates the somewhat Whiggish notion that one can draw a clear line between justice and the performance of the law, let alone that there is an increasing dissonance between the two as England entered modernity. This is wonderful history, not only because of the deftness of its arguments but also because of the rich anecdotal detail that enlivens nearly every page. Legal studies have been well served by this marvelous book." -- William Chester Jordan, Dayton-Stockton Professor of History, Princeton University, author of From England to France: Felony and Exile in the High Middle Ages (2015) and Europe in the High Middle Ages (2001)"The jury is in: with compelling scholarship that matches evidence and argument across 2,000 years of legal rhetorical practice, Julie Stone Peters proves that the continuities of law as performance are as startling as the changes, and she dramatizes how theatricality and anti-theatricality plead their cases before the bar of Janus-faced Lady Justice with adversarial vehemence and at times shocking irreverence." -- Joseph Roach, Sterling Professor of Theater, Professor of English and African-American Studies, Yale University, author of it (2007), Cities of the Dead: Circum-Atlantic Performance (1996), and The Player''s Passion: Studies in the Science of Acting (1993)"To make authority requires being seen as having the capacity to call the disobedient to account. As Julie Stone Peters brilliantly excavates in her analysis of the ''performance of law'' in literary and legal accounts, the audience regularly took center stage. This volume is a treasure trove of ideas and images illuminating the interwoven fabric of courts and theater, as both genres are dependent on spectatorship for their vitality.

" -- Judith Resnik, Arthur Liman Professor of Law, and Dennis Curtis, Professor Emeritus of Law, Yale University, co-authors of Representing Justice: Invention, Controversy and Rights in City-States and Democratic Courtrooms (2011)"The book has great significance, not only for discussing the role of jurisprudence and the production of law, it is also important for those working on history of legal jurisprudence beyond the confines of law as a set of rules, doctrines and concepts.it is important for various disciplines like history, European studies and language and literature." -- Fulera Issaka-Toure, Legal Pluralism and Critical Social Analysis"This wonderfully kaleidoscopic collection of thematic essays reveals hidden doors to various legal cultures. Peters has woven together the history of procedural law, rhetoric, theatre, the development of legal professions and legal iconography into the rich canvas of her highly original book. This indicates that scholars from many disciplines will find the book to be of interest." -- Mia Korpiola, Mirator 23:1"Law is everywhere and all around us. Her book offers both a history and jurisprudential-or legal philosophical-rethinking of the opacity of lawyers'' law, drawing on her field of performance studies to return law to a world of visibility." -- Marett Leiboff, Journal of Social History"Law and Performance is itself a bravura performance, to which future scholars will return as both a treasure trove and a model for imitation.

" -- Raphael Magarik, Modern Philology"This book could mark the beginning of a theoretical renewal of legal history." -- Rechtsgeschichte - Legal History"Law and Performance is itself a bravura performance, to which future scholars will return as both a treasure trove and a model for imitation." -- Raphael Magarik, Modern Philosophy"Julie Stone Peters''s Law as Performance invites readers to step away from the decrees, doctrines, and debates that dominate the Western legal tradition and turn instead to how the law was experienced by ordinary people who not only observed it in action but also found ways to challenge and subvert it." -- Susan Longfield Karr, Renaissance Quarterly"[A]n authoritative, book-length study of legal-theatrical practice, staggering in its breadth and erudition, spanning the history of Ancient, Mediaeval and Early Modern European courts, which offers to become a field-defining work of scholarship." -- Alex Feldman, Law and Humanities"This book is a major contribution to the study of theatricality and law in not only the period surveyed but in the European tradition as a whole." -- Stephen Yeager, Speculum: A Journal of Medieval Studies.