Chapter 1 September 23rd, 2022 Dear Richard, You''ll no doubt think I owe you some sort of explanation for what I''ve done, so here it is. Of course, I don''t know where to begin. Just before our first proper date, when your mother told me the color black washed me out and that I should borrow her white silk blouse instead? Or that moment at our wedding when we both knew--but never actually said--that our love was forever cursed? Maybe I''ll start in a more dignified way with the small plane we took to get here almost two weeks ago, all the tiny islands like a map beneath us, the plane''s slender propellers naked and somehow savage, cutting through the air like white machetes. Or perhaps I should skip to the moment when we turned up at the Villa Rosa and first met Isabella. Isabella . I find it so hard to write her name. But you have to face the things you fear, so here it is again: Isabella. Isabella.

Isabella . But of course if I start with her, it''s already over, and the dogs have won, and we are now just piles of bones. So maybe I''ll simply start with the night before we checked into the Villa Rosa. The beachfront taverna, moonlit and warm; only us, our friends and the beautiful people left on the island by then, or so it seemed. The beautiful people? Well, I don''t think you listened to anything I ever said about them, although perhaps you know who they are now. When I go over it all in my mind I can still see her so clearly, the prettier girl, the dark-haired one, a sleek heron in a black bikini and a thin orange sarong. She was walking down the road in the sun carrying a bag that said Istanbul is Contemporary . She really was the most beautiful person I''d ever seen.

Amidst all the usual traffic on that narrow beach road--rusty utes carrying mineral water and bottled Coke, or Greek men on mopeds with their "amusing" cargos that Paul loved to point out: a large side-saddle wife, a massive watermelon, a white poodle--there she was. She was alone and free and, well, sometimes I look at young women and remember what it was like to be them, but I don''t remember ever being her, with those sharp, wingish bones and her extraordinary long calves. I imagine you reading this letter too fast in the hot and windy dark, or maybe in the calm of tomorrow morning, skimming to get to the headline, the facts, having decided that this lead-in is irrelevant. You are probably wondering where I am. Because I am going to go when I finish this. It''s time, don''t you think? I see you holding this letter, having found it on the pillow where I plan to leave it later. You probably have that look you get whenever I try to explain something, and I start at the very beginning--or at least what the beginning was for me--and you act like you are struggling through bracken and maquis and dense thicket until I mention something you recognize as part of your story and only then do you stand still for a second and listen. But neither of us really wants to go back to the start, do we? So feel free to skip ahead if you like.

That''s the beauty of a letter, after all: it''s not a forest, not a complicated undergrowth, not a loud argument. Take your machete and fuck all of this. Take your soft-mouthed dogs and beat out the birds and sight them and shoot them down and then you''ll know. That was the only time I saw her on her own, the beautiful girl. Most of the time she had her shorter, blonder friend with her, and the two boys trailing after them. Those beautiful boys. When they weren''t trailing after the girls they were flittering down the street with their shirts off, carrying bottles of local beer, which they actually took care to put in the recycling bin once they were empty. Or they were strutting with their rooster chests high and proud, eating fruit or throwing a ball.

One of the boys was skinnier than the other, with long bony fingers that fluttered through the air like the legs of a tiny creature that did not want to be picked up. I kept wondering where these kids had come from. They looked rich to me, or, at least, expensive. I pointed them out one night over dinner in George''s Taverna, but you weren''t interested. You just thought they were normal young people, nothing unusual about them. You assumed they were from a British private school like the one you and Paul had both gone to, and didn''t think it was at all interesting when they started speaking in a language none of us knew. I decided it was Turkish. You could see Turkey from the beach.

And, well, Istanbul is Contemporary . It gave me something to talk about with Beth at least. We had nothing in common otherwise. Since I''m an actor and she''s a makeup artist, we should have had a riot. But I''m mainly in sweaty plays and she "does" politicians for the BBC News, so when I tried to ask her what she thought the best mascara on the market currently was, she just looked at me blankly while I burbled on about Chanel, and how hard I found it to tell the difference between the waterproof mascara I wear in sad times, and the normal one I prefer because it is more black, like the very bitterest depths of the night. Like now. Paul seemed to have chosen Beth the way he picked all his girlfriends. She was to be adored yet hated; violated but also revered.

She had that rubbery sex-doll look of all his women, but there was something human and raw about her too. Something in her slightly pimply skin and visible contact lenses; and the way she would let her DD boobs flop around in her strappy lemon sun dress without even a bikini underneath. I once suggested to you that Paul had made her wear the dresses that way and you said you didn''t know what I meant. Instead, you wondered about the etymology of the word seersucker, and why you''d never heard of it. You have always seemed so innocent, and mostly I''ve loved that. Or, I did love it, once. During those last, hot days, while you and Paul swam out as far as you could, beyond the buoys and the yachts, racing each other in that subtle way you do, Beth and I wondered whether the beautiful people had come from one of the boats. One day we saw four figures on the deck of the largest yacht, and we said that was it, that was them.

But it wasn''t them. Even from that distance you could see the small, puffy rolls of fat on the women. There was no fat on those girls. Not on the boys either. Then one day we saw their shoes. Four pairs of dirty espadrilles, all with holes and signs of over-pronation. What is it about poverty and pronation? The beautiful people were out of place in a way we couldn''t figure. Beth and I brainstormed what beautiful boys like that would become when they grew up, but we found it hard to imagine them as parents, or at a dinner party.

What on earth would they talk about? What shoes would they find to wear? While you were swimming, we speculated about what it would be like to sleep with boys like that. Our friendship had warmed up at last. What would it be like to be touched by a boy whose limbs were not made from money, but crafted from something different, like hope, or hard work? I recollect a photo on your mother''s dresser of you in a short-sleeved linen shirt somewhere tropical, and even then you had a flush in your skin that those boys didn''t have. A ripeness. Like a polished apple. During those last days I became quite obsessed with the thin dark girl, and her friend. I suppose I wanted to sink into other lives that were not my own. I could see their rivalry, something you''d tell me I was imagining, probably, but the girl from Istanbul, the one you showed me photographs of later, was flirting with both the boys: the blond one in his faded pink shorts, the dark skinny one in faded lime green.

Touching their tanned, slim arms--all muscle, of course, but not the sort you can get in a gym. The other girl noticed, but she never touched their long, lean lines herself. She frowned and, just once, looked tearful. Perhaps the boys'' muscles were from tying knots? We thought maybe they were staying on the white catamaran, Beth and I. It was a large, impressive vessel from which speed boats shot every night like sharp pellets, perhaps taking the beautiful people to hot, glamorous parties in the hills: you couldn''t really tell in the dark. But then the catamaran went and the beautiful people were still here, on the island. The summer itself was slowly creeping away. All the other yachts left.

The swallows flitted across the water for the last few times and then they all flew off together, heading for Africa. The other tourists were long gone. The motorcycle man closed his shop and no longer asked me if I wanted to rent a scooter every time I went past him. The strange wreath in front of his shop remained, though, commemorating the ?p??ß?te?, or ypnovátes : the "sleepwalkers," a married couple who''d drowned in that part of the sea the year before. George''s Taverna stopped serving fresh fish, because the fisherman had taken his wife to Athens. Those last days of Greek salads with old dry feta and toasted bread, because by then even the bakery had closed. Those last days. Our last days together.

I will always treasure them, even though they were so very tainted. The fat, slow hornets; they were still there. And the beautiful people. And us. That last night before Beth and Paul went too, and left us alone for the final part of our honeymoon, we agreed that the island was the most incredible place we''d ever been. What was it? The zealous bougainvilleas, perhaps, or the rest of the greenery, so much more lush than on other Greek islands we''d.