Peter Ullian is the author of the Science Fiction & Fantasy Poetry Association's Rhysling Award-nominated poem "Nixon's Planet," subsequently included in the SFPA's 2019 anthology. He is also the author of the short story "The Vietnamization of Centauri V," published in the DAW Books anthology Star Colonies. His Amazon Short, "To Repair the World," received over 200 five-star reader reviews. Ullian is also the author of the short stories "The Sun Sets on the Hall of Justice," published in the anthology Crimeucopia -- Say What Now? from Murderous Ink Press; "Ribbons and Tin" and "Owen's Blood," both published in Cemetery Dance Magazine; and "The Ballad of Beeve Wellington," "Apprehending Mr. Howard," and "Dreaming of Pesach with the Last Bandito," all published in Frontier Tales Magazine. His post-apocalypse Cli-Fi novel, The Last Electric House, is published by Swamp Angel Press. Peter has written screenplays for major and independent film studios, such as Paramount, Hollywood Pictures, and Zeal Pictures. Peter also served as the 2019-2020 Poet Laureate of Beacon, New York.

His poetry is published in anthologies and periodicals; in the chapbook Secret Histories and Exobiologies from Poet's Haven; and in the full-length anthology The Fevered Dream-Crimes of Pulp Fiction Poets and Other Love Stories from Autumn Lion Music Publishing. His poetry has been nominated for the Pushcart Prize. Publications of his plays include Big Bossman and The Triumphant Return of Blackbird Flynt (Broadway Play Publishing), New American Century & Fair City and Pan-American (NoPassport Press), and Valhalla Correctional, included in the anthology When the Promise Was Broken: Short Plays Inspired by the Songs of Bruce Springsteen (Smith & Krauss). His other theatrical work includes Flight of the Lawnchair Man, Eliot Ness in Cleveland, Hester Street Hideaway - a Lower East Side Love Story, and Signs of Life. He has received numerous awards for his dramatic writing, including the Roger L Stevens Award from the Kennedy Center/Fund for New American Plays and production grants from the National Endowment for the Arts and the New York Foundation for the Arts.