1. Creating Interior Atmosphere: An Introduction Introduction What is Interior Design? Scope of this book - Interior Design and Mise-en-scène What is Atmosphere? Conclusion Further Reading - Exploring atmosphere 2. What's in a Room? The Principles of 'Mise-en-scène' The Power of the Interior What is 'Mise-en-scène?' What is an 'Interior' Mise-en-scène? Conclusion Further Reading - Exploring Mise-en-scène 3. The Interior Setting: The Backdrop or 'Skin' of the Space What is an Interior Setting? What is the physical environment - the skin? Examples of Interior Mise-en-scène, creating an interior setting Case Study One: Surface Skin - 'The Cabinet of Dr. Caligari', Robert Wiene Case Study Two: Surface Skin - Rough Luxe Hotel, Rabih Hage Case Study Three: Manipulated Skin -Strawberry Hill, Horace Walpole Case Study Four: Layered Skin - 'Re-Set', Petra Blaisse Case Study Five: Three Dimensional Skin - KU64 Kids Club, GRAFT Conclusion Further Reading - Exploring the 'Interior Setting' 4. What is an Interior 'Prop'? Accessories, furniture, fixtures and equipment Introducing Interior Props Using Interior Props Examples of Interior Mise-en-scène, props and atmosphere Case Study One: Accessories, furniture and fixtures - The Ace Hotel, Roman and Williams Case Study Two: Furniture - 'A Clockwork Orange', Stanley Kubrick Case Study Three: Equipment - 'Break Down', Michael Landy Case Study Four: Fixtures- Maggie's Cancer Caring Centre, Frank Gehry Case Study Five: Props as fixtures - Kesselskramer, FAT Conclusion Further Reading - Exploring Interior Props 5. 'Special Effects': Interior Space and Experiences Introducing Interior Special Effects Special Effects - Perception and Atmosphere Examples of Interior Mise-en-scèneand their special effects Case Study One: Implied Space - 'Dogville', director Lars von Trier Case Study Two: Illusory Space - La Maison Champs Elysées, Maison Martin Margiela Case Study Three: Sensory Space - Fragrance Lab for Selfridges, Campaign, The Future Laboratory and Givauden Case Study Four: Use of Scale - 'Citizen Kane', director Orson Welles Case Study Five: Sensory Space - Alcoholic Architecture, Bompas & Parr Conclusion Further Reading - Considering Special Effects 6. Light and Shadow: Uncovering its Dramatic Role Introducing Light and Shadow Lighting and Atmosphere Examples of Interior Mise-en-scène - using light and shadow Case Study One: Shadow - 'Nosferatu' Case Study Two: Artificial Light - 'The Weather Project', Olafur Eliasson Case Study Three: Natural Light - D.
E. Shaw Offices and Co., Steven Holl Case Study Four: Candle light - Sam Wannamaker Playhouse - Allies & Morrison and Jon Greenfield Case Study Five: Digital Light - The West Lobby in The Cosmopolitan, Rockwell Group's LAB Conclusion Further Reading - Exploring Light and Shadow 7. Colour: A Technicolor© Inner World Introducing Colour Colour and Atmosphere Examples of Interior Mise-en-scène, using colour Case study One: Colour - 'The Cook, the Thief, his Wife and her Lover', director Peter Greenaway Case study Two: Colour - Spiegel Publishing Headquarters by Verner Panton Case study Three: Colour via pattern - 'Dots Obsession' by Yayoi Kusama Case study Four: Colour via graphics - The Hotel by Jean Nouvel Case study Five: Colour -Wards 23 & 29, Bradford Royal Infirmary Conclusion Further Reading - Exploring Colour.