Foreword.xv Preface. xix Acknowledgments. xxiii Introduction: The Five Spaces of the Digital Imaging Pipeline.1 Chapter 1 - World Space.5 1.1 The Nature of Light.6 1.

1.1 Wavelength.6 1.1.2 Amplitude.7 1.1.3 Phase.

8 1.1.4 Polarization.8 1.1.5 Monochromatic Light.9 1.1.

6 Coherent Light.9 1.1.7 Particles. 10 1.1.8 The Inverse Square Law. 10 1.

1.9 Interior vs. Exterior Lighting. 11 1.2 Measuring Light. 11 1.2.1 Candela (cd): The Brightness of a Light Source.

12 1.2.2 Lumen (lm): The Total Amount of Incident Light. 12 1.2.3 Lux (lx): How Brightly a Scene is Lit. 12 1.2.

4 Other Units. 13 1.3 Dynamic Range. 13 1.3.1 Brightness vs. Luminance. 14 1.

3.2 What is Dynamic Range?. 14 1.3.3 Stops. 16 1.4 A Color Science Moment. 16 1.

4.1 Emission Spectrums. 17 1.4.2 Spectral Reflectance. 17 1.4.3 Color Stimulus.

18 1.5 Light Sources. 19 1.5.1 Emission Spectrums. 19 1.5.2 Color Temperature.

21 1.5.3 Standard Illuminants.23 1.6 Surface Interactions with Light. 24 1.6.1 Spectral Reflectance.

24 1.6.2 Diffuse vs. Specular Reflections.26 1.7 Exotic Surface Interactions with Light.27 1.7.

1 Scattering.27 1.7.2 Polarized Light.29 1.7.3 The Fresnel Effect.30 1.

7.4 Color from Interference.32 1.7.5 Dichroic Filters.33 1.8 How We See the World.33 1.

8.1 Color Perception.34 1.8.2 CIE xy-chromaticity Diagram.35 1.8.3 Our Visual Response.

37 1.8.4 Adaptation.38 1.8.4.1 General Brightness Adaptation.39 1.

8.4.2 Lateral Brightness Adaptation.39 1.8.4.3 Chromatic Adaptation.40 1.

8.5 Calculating Luminance.40 1.8.6 Metamers.42 1.9 Conclusion.43 Chapter 2 - Camera Space.

45 2.1 Camera Perceptions of Color.46 2.1.1 Spectral Sensitivity.46 2.1.2 Camera Gamuts.

48 2.1.3 Converting Light to Digits.48 2.1.4 The Debayer Process.49 2.1.

5 Camera Imaging Math. 51 2.1.6 Light Sources.52 2.1.6.1 Color Temperature.

52 2.1.6.2 Spectral Emissions.53 2.1.7 CCD vs. CMOS.

54 2.2 Space and Time.56 2.2.1 Resolution.56 2.2.2 ISO.

57 2.2.3 Speed.57 2.2.4 Sensor Crop.59 2.2.

5 Sensor Size.60 2.2.6 Anamorphic Formats.62 2.2.6.1 Cinemascope 2.

39.62 2.2.6.2 HDTV 1.33.63 2.3 Camera Dynamic Range.

63 2.3.1 Clipping.64 2.3.2 Bit Depth.65 2.4 Video Standards.

66 2.4.1 Resolutions.66 2.4.1.1 HDTV Standards .66 2.

4.1.2 UHDTV Standards .67 2.4.2 Scan Modes.67 2.4.

2.1 Progressive Scan.67 2.4.2.2 Interlaced Scan.67 2.4.

2.3 History.69 2.4.3 Frame Rates.70 2.5 Output Options. 71 2.

6 Camera Artifacts.72 2.6.1 Noise.72 2.6.2 Rolling Shutter. 74 2.

6.3 DSLR Rolling Shutter.75 2.6.4 Vignetting.75 2.7 Lens Artifacts.76 2.

7.1 Lens Distortion.78 2.7.2 Spherical Aberration.78 2.7.3 Chromatic Aberration.

79 2.7.4 Depth of Field.79 2.7.5 Veiling Glare.80 2.7.

6 Lens Flare.80 2.7.7 Bokeh.81 2.7.8 The Swirly Bokeh.81 2.

8 The DIT.82 2.8.1 On-Set Support.82 2.8.2 Data Management.83 2.

8.3 Color Grading.