Courses: Music (historical musicology); Cultural & Arts Management; Cultural Sociology; Cultural Studies; Philosophy (of music); Management; (Cultural) EntrepreneurshipUG and PG levels in many courses relating to cultural sociology; cultural studies, cultural management and cultural economics. Some examples of relevant graduate (MA level) Programs (mainly in the UK) would include:o City: Cultural Management MAo Goldsmiths: MA in Arts Administration & Cultural Policyo Birkbeck:Arts Policy and Management MAo London Met: Arts and Heritage Management MAo London South Bank: MA Critical Arts Management o University of Wales: Professional Arts Management MBAo Northumbria University: Cultural Management MAo Winchester: Cultural & Arts Management MAo Warwick: MA Creative & Media Enterpriseso Birmingham City: Arts & Project Management MAo De Montfort: Arts Management (by independent study)o Queens Belfast: Arts Management MAo Manchester: Arts Management,Policy and Practice MAo QMU, Edinburgh: Festival Management MAo UCA: Arts Management MAo Anglia Ruskin: Arts Management MAo Sotheby''s: Art Business PgDipo Central St Martins: MA Innovation Managemento Utrecht: MA Arts Managemento Montreal/SMU/Bocconi: Master in International Arts ManagementAcademic/professional organizations and associations:American Musicological SocietyThe Royal Musical AssociationInternational Musicological SocietyBritish AcademyMailing lists,etc:One possible list-serve to follow up is AACORN - Arts, aesthetics, creativity & organization research network (or which I am a member): Their site is at http://www.aacorn.net/The following offer some further suggestions to contact:NEMA (National Early Music Association) UKwww.nema-uk.orgJohn Bence 126 Shanklin Drive, Leicester LE2 3QB email: enq1610@nema-uk.orgNEMA has 10 regional early music fora - and it would be worth contacting these (through NEMA or their websites:www.bmemf.
org.uk ; www.memf.org.uk ; www.neemf.org.uk ; www.
nwemf.org.uk ; www.emfscotland.org.uk ; ; www.semf.org.
uk ; www.tvemf.org).NCEM (National Centre for Early Music) UKwww.ncem.co.ukDelma Tomlin, St Margaret''s Church, York YO1 9TL email: info@ncem.co.
ukEarlyMusic America (EMA)www.earlymusic.orgMaria Coldwell (Exec Director) 2366 Eastlake Avenue E 429, Seattle, WA98 102 USAEmail: info@earlymusic.orgEarly Music Network Inc (USA)www.earlymusic.netPredrag Gosta (President)PO Box 854Atlanta GA 30301 USAEmail: office@earlymusic.netScottish Music Centrewww.scottishmusiccentre.
comGill Maxwell (MD)City Halls, Candleriggs, Glasgow G1 1NQEmail: info@scottishmusiccentre.comBritish Double Reed Society www.bdrs.org.ukBritish Harpsichord Society www.harpsichord.org.ukThe Dolmetsch Foundation www.
dolmetsch.com/dolmetschfoundation.htmFellowship of Makers and Researchers of Historical Instruments (FoMRHI) www.fomrhi.orgIncorporated Society of Musicians www.ism.orgThe Lute Society www.lutesociety.
orgRoyal Musical Association www.rma.ac.ukThe Royal Society of Musicians of Great Britain Society of Recorder Players www.srp.org.ukThe Viola da Gamba Society www.vdgs.
org.ukThe Worshipful Companyof Musicians www.wcom.org.ukAmerican Bach Society www.bw.edu/-bachinstAmerican Musical Instrument Society www.amis.
orgAmerican Recorder Society Inc. www.americanrecorder.orgCambridge Society for Early Music www.csem.orgEarly Music Queensland www.earlymusicqld.comGuild of American Luthiers www.
luth.orgL''Association de Musique Ancienne (France) email: amusancienne@yahoo.frLute Society of America email: lutesociety@rockbridge.netNew York State Early Music Associationwww.nysema.comSan Francisco Early Music Society www.sfems.orgVancouver Society for Early Music www.
earlymusic.bc.caViola da Gamba Society of America www.vdgsa.orgConferences:Greenwich International Early Music Exhibition 2013IACR International Association of Critical Realism 16th Biennial International Conference on Baroque Music Medieval and Renaissance Music Conference 2013 Or the British Sociological Association''s annual conference, and their study-group sections(e.g. on Realism); see http://www.britsoc.
co.uk/study-groups.aspxPublications to advertise in:The Early Music Shop Newsletter (EMS have offered to run an infotorial on the book in their newsletter, which goes out to 25,000 people. The contact would be the EMS''s Managing Director, Peter Booth).Early Music (OUP) Early Music Today http://www.earlymusictoday.com/Early Music AmericaNEMA DirectoryBBC Music Magazine (BBC)Classical Music Magazinehttp://www.classicalmusicmagazine.
org/The WireGramophone Magazine http://www.gramophone.co.uk/British and International Music Yearbook (Claudine Nightingale (ed), Rhinegold Publishing; email: bmyb@rhinegold.co.uk ; www.rhinegold.co.
uk (this is an annual directory for the classical music industry.US periodicals:Boston Early Music News published by Boston Recorder SocietyJAMS (Journal of the American MusicologicalSociety)American Sociological ReviewAmerican Journal of Cultural Sociology (a new journal in 2013)Modernism / ModernityEarly Music AmericaChicago TribuneNew York Review of BooksNew York Times Book ReviewWall Street JournalWashington PostWashington Post Book WorldForeign journals:Early MusicEarly Music TodayEarly Music History www.journals.cambridge.orgGalpin Society Journal Dr Lance Whitehead (ed) email: editor@galpinsociety.org; www.galpinsociety.org Journal of the Royal Musical Association Dr Katherine Ellis (Ed) email: k.
ellis@rhul.ac.uk ; www.jrma.oupjournals.org Music & Letters musicandletters@kcl.ac.uk ; The Musical TimesThe Musical QuarterlyThe Journal of Arts management, law, and societyInternational Review ofthe Aesthetics and Sociology of MusicJournal of Musicological ResearchBBC Early Music Show -show presenter (Lucie Skeaping) has suggested featuring the book for one of the shows in the winter of 2013.
Selling point: First comprehensive cultural history of the modern British early music movementSelling point: Critical and interdisciplinary emphasis on work, professionalization and cultural entrepreneurshipSelling point: New insight and comment from leading early music performers, practitioners and expertsSelling point: A groundbreaking dialectical position on ''authenticity''.