Foreword How to Use this Book Introduction Chapter 1 - Some Science Chapter 2 - A Discussion About Truth Chapter 3 - Imagination, Imagination, Imagination Chapter 4 - Breath 1 Chapter 5 - Habitual Use - Old Habits, New Habits Chapter 6 - Alignment and the Larynx Chapter 7 - Working in Semi-Supine - Floor Work 1 Chapter 8 - The Concept of Centre - A Physical Centre Chapter 9 - Pitch Chapter 10 - Language and Text 1 Chapter 11 - Working in Semi-Supine - Floor Work Chapter 12 - More About Breath - Breath Capacity Chapter 13 - Language and Text 2 - Phrasing and Meaning Chapter 14 - Semi-Supine - Floor Work 3 - Whispered 'Ah' Chapter 15 - Free the Body to Free the Voice Chapter 16 - Support Chapter 17 - Resonance Chapter 18 - Range, Pitch, Stress Chapter 19 - The Channel for Sound Chapter 20 - Language and Text 3 Chapter 21 - Language and Text 4 - Shakespeare Chapter 22 - Other Aspects of Iambic Pentameter Chapter 23 - Language and Text 5 - Shakespeare Sonnets Chapter 24 - Punctuation Chapter 25 - Integration: Imagination, Body, Breath, Voice Chapter 26 - Working with Energy - Character Exercise Conclusion Bibliography Index.
The Integrated Actor : Imagination, Body, Breath, Voice