List of Figures List of Tables Acknowledgements Introduction: Somewhere in Northern Italy - Edward Lamberti and Michael Williams Part I: Style Temporary Paradise: Queer Space, Time and Pastoral Visions in Call Me by Your Name - Adam Vaughan 'But You Know, There Have Been Queer Characters from the Very First Film': Call Me by Your Name and the Long Shadow of James Ivory - Claire Monk 'Is It Better to Speak or Die?': Adaptation and Elio's Interiority - Stuart Richards Music as Narrator in Call Me by Your Name - Kingsley Marshall Sex Sounds: On Aural Explicitness in Call Me by Your Name - Sarah Artt Call Me by Your Name and the Ethics of Distance - Edward Lamberti Part II: Themes Call Me by Your Name , Chrononormativity and the (Queer?) Future of Italian Teen Film - Daniel Paul Plato to Elio: Ancient and Modern Sexualities in Call Me by Your Name - Nikolai Endres 'Daring You to Desire Them': Digital Classicism, Star Bodies and Call Me by Your Name - Michael Williams Call Me Bi Any Other Name: Anal Monstration, Formal Bisexualization, Gay Indigestion - Jacob Engelberg Part III: Reception Call Me by Your Name and Film Festivals - Ruby Cheung Tell Tim Chalamet to Tweet at Me: Timothée Chalamet's Social Media Silence, Presence and Performed (B)romance with Armie Hammer - Francesca Sobande The Sexiest Risk-Taker? Armie Hammer, White Masculinity and Call Me by Your Name - Jonathan A. Cannon 'Finally, a Gay Movie without a Bad Vibe': Queer Nostalgia, Affection and Gender Identity in Call Me by Your Name - Vinicius Ferreira, Victor Schlude and Gêsa Cavalcanti Notes on Contributors Index.