List of Figures Acknowledgements Notes on Contributors Note on Translations Introduction: The Blind Zones: The Cinema of Joaquín Jordá Fran Benavente and Glòria Salvadó-Corretger Part I. First Life: Modernity and Politics 1. Joaquín Jordá and the Disobedience of Images Mateus Araújo 2. Whenever the Woman Is Present: Jordá's Political Cinematography during the 60s and 70s Considered through Female Characters Laura Gómez Vaquero 3. Film and Political Autonomy: Legacies of the Italian Period in Joaquín Jordá Ignasi Gozalo-Salellas 4. The Red Years of Joaquín Jordá Santiago Fillol and Luis E. Parés 5. A Work Force of Images: Militancy as Historical Experience in Joaquín Jordá's Numax Presents.

Sara Nadal-Melsió 6. Notes on a Film about Marginality and Difference: Echoes of Pasolini in the Cinema of Joaquín Jordá Albert Elduque Part II. Second Life: After the Revolution 7. Joaquín Jordá's The Hunter's Assignment (1990): Filmmakers, Vampires, and Doppelgängers Teresa M. Vilarós 8. The Red and the Black: Crime Fiction and Cinema of the Real in the Films of Joaquín Jordá Fran Benavente and Glòria Salvadó Corretger 9. The Lesson of the Master: Joaquín Jordá's Work for Television Ivan Pintor Iranzo 10. Joaquín Jordá: Dialogic Cinema as a Tool of Collective Intelligence and Public Dissent Irene Liberia Vayá 11.

Participatory Montage in Jordá's Cinema Gonzalo de Lucas and Diana Toucedo Part III. Afterlife: The Legacy of Joaquín Jordá 12. "Platform of Affected People": Affection, Vulnerability and the Common in the Late Films of Joaquín Jordá Luis Moreno-Caballud 13. The Poetics of Transmission: Joaquín Jordá's Legacy Brice Castanon-Akrami 14. Undead Cinema. Spectral Footprints of Joaquín Jordá in the Politicized and Participatory Theater of Roger Bernat and The Friendly Face of Fascism Theatre Company Núria Gómez Gabriel Index.