Acknowledgements Introduction Open Cinema: The Films and Installations of Apichatpong Weerasethakul Anik Sarkar and Jayjit Sarkar Time 1.Time, Social Reproduction and the Precarious Body in the Films of Apichatpong Weerasethakul Patricia Sequeira Brás 2.Representing Memory through Slowness: the Time-Images of Apichatpong Weerasethakul's Syndromes and a Century and Cemetery of Splendour Francesco Quario Non-human 3.Stray Dogs and Strange Beasts: Apichatpong Weerasethakul's Queer Animal Ethics Duncan Caillard 4.Imagining the Nonhuman in the cinema of Apichatpong Weerasethakul Çagatay Emre Dogan Mind 5.The Stillness Wandering Within: Notes on the Caesura of the Cinematic Image in Apichatpong Weerasethakul's Primitive Project Elizabeth Sikes 6.Dreams, Abstractions and Spectatorship in Apichatpong Weerasethakul's Films and Videos Alessandro Ferraro 7.EFFULGENCES Particles in Motion: Cycling the Mindscapes of Apichatpong Weerasethakul Jeffner Allen Forms and Representations 8.

Transmedia Plot in Apichatpong Weerasethakul's Primitive Jade de Cock de Rameyen 9.Home Away From Home: Apichatpong Weerasethakul's Filmed Images of Home and Homeland Envisioned Palita Chunsaengchan 10.Between an Erased Past and an Uncertain Future: Hybrid Forms in the Films of Apichatpong Weerasethakul Sivaranjini 11.Post-Interstitial Authorship in Apichatpong Weerasethakul's Cinema Anchalee Chaiworaporn Note on the Contributors Index.