Illustrations Acknowledgments Foreword Flickering Pain: How to Re/frame the Eastern Turn? Yuri Leving Part I: Re/framing 1. Canons of Eastern European Cinema and the Place of Eastern European Films in Global Film Canons Ewa Mazierska 2. Reframing Early Ukrainian Film History: A Case Study in Decolonization Yuri Shevchuk 3. Reframing or Unframing: Donbas/s as Cinematic Non-Space in Non-Time Birgit Beumers 4. Representation of Survivors in Donbas Documentary: Reframing Objects as Subjects Anna Tropnikova Part II: The Unwomanly Face of War: Women's Voices 5. Approaching War Anew: Female Filmmakers of New Ukrainian Cinema Justin Wilmes and Beata Waligorska-Olejniczak 6. The Occupied Body: Women and War in Recent Ukrainian and Russian Feature Films Irina Schulzki Part III: Documentary in the Time of War: Witnessing, Advocating, Narrating 7. Nonrepresentation and Intergenerational Trauma in Transnational Ukrainian Documentary Cinema Emily-Rose Baker 8.

The Reality of War: Russian Documentary Films about Ukraine Anastasia Kostina 9. War as Subtext and Context in Sergei Loznitsa's Films Lioudmila Fedorova 10. Did I Hear Right? Re-Sounding Archival Images in the Films of Sergei Loznitsa Daniel Schwartz Part IV: Eastern European Cinema and New Media 11. GoPro Cruelty: Finding Film Truth in Yevhen Titarenko and Vitaly Mansky's Eastern Front (2023) Sue Matheson 12. Intimate Visions of War: Film Style, Technology, and the Mediated Experience of the Russo-Ukrainian War Zdenko Mandusic 13. The World Witnessed: Ukrainian Animation in Times of War Olga Blackledge 14. Taras Shevchenko is Alive on TikTok: Poetry Videos and National Identity During Russia's War Against Ukraine Alyssa Virker List of Contributors Index.