SECTION 1: NARRATIVE AND TIME Chapter 1. Precursor to the Puzzle: Narrational Strategies in Following Warren Buckland Chapter 2. 'We Need Mirrors to Remind Ourselves of Who We Are': Anamorphosis and the Singularity of Mirror Motifs in Christopher Nolan's Memento (2000) Isabelle Labrouillère Chapter 3. The Prestige , From Text to Screen: Transformation, Manipulation, Reflexivity Gilles Menegaldo Chapter 4. The Trauma Chronotype in Nolan's Dunkirk and Inception : Time, Space and Trauma Fran Pheasant-Kelly Chapter 5. Back From the Future: Tenet and the Politics of Nachträglichkeit Todd McGowan SECTION 2: COLLABORATIONS AND RELATIONSHIPS Chapter 6. "There's a Point Where We Just Let the Music Take Over Everything": The Collaboration of Christopher Nolan and Hans Zimmer" Bernadette Pace Chapter 7. A "Virtual Carte Blanche": Christopher Nolan, Warner.

Bros., and Authorial Power in Contemporary Hollywood Kimberly A. Owczarski Chapter 8. Transnational Filmmaker, Fanboy-Auteur: Screening Nolan's Inception in China Lara Herring Chapter 9. Fractured Men and Cockney Boy: Michael Caine as Star Persona in the films of Christopher Nolan Stella Hockenhull Chapter 10. Christopher Nolan and the Quays: Curation, Fandom and the Filmmaker Claire Parkinson SECTION 3: POLITICS, IDEOLOGY AND GENRE Chapter 11. Situating Christopher Nolan's Ideological Use of Technology: Between Romanticism and Posthumanism Ben Lamb Chapter 12. Dark Vision, Global Impact: Christopher Nolan, Box Office Hit Patterns, and Interstellar Peter Krämer Chapter 13.

Mementos of the Afternoon: Christopher Nolan's Ambiguous Debt to Maya Deren Will Brooker Chapter 14. "Some Men Just Want to Watch the World Burn": The Politics of Christopher Nolan's Dark Knight Trilogy Gregory Frame Chapter 15. The Experimental Short Films of Christopher Nolan Stuart Joy Chapter 16. Catwoman in All But Name: Gender and Adaptation in Christopher Nolan's Selina Kyle Miriam Kent.