Foreword by Janeann Dill Acknowledgements List of Contributors Introduction by Miriam Harris, Lilly Husbands and Paul Taberham Definitions, Histories and Legacies Paul Taberham - It is Alive if You Are: Defining Experimental Animation Aimee Mollaghan - A Consideration of the Absolute in Visual Music Animation Michael Betancourt - Experimental Animation and Motion Graphics A1 Georges Schwizgebel A2 Rose Bond A3 William Kentridge A4 Robert Sowa From Analogue to Digital Dan and Lienors Torre - Materiality, Experimental Process and Animated Identity Tess Takahashi - "Meticulously, Recklessly, Worked Upon": Direct Animation, the Auratic and the Index Miriam Harris - The Expressive Power of Experimental Digital Animation Birgitta Hosea - Beyond a Digital Écriture Féminine: Cyberfeminism and Experimental Computer Animation B1 Jodie Mack B2 Maya Yonesho B3 Larry Cuba B4 Max Hattler Close Analysis of Individual Artists Lilly Husbands - A Hermeneutic of Polyvalence: Deciphering Narrative in Lewis Klahr''s The Pettifogger (2011) Steve Reinke - How to be Human: The Animations of Jim Trainor C1 Martha Colburn C2 Masha Krasnova-Shabaeva C3 Diego Akel Science and the Cosmos Janine Randerson - Animating the Cosmological Horizon: Between Art and Science Aylish Wood - Where do Shapes Come From? Sean Cubitt - NASA''s Voyager Fly-by Animations D1 Tianran Duan D2 David Theobald D3 Gregory Bennett t;/P> From Analogue to Digital Dan and Lienors Torre - Materiality, Experimental Process and Animated Identity Tess Takahashi - "Meticulously, Recklessly, Worked Upon": Direct Animation, the Auratic and the Index Miriam Harris - The Expressive Power of Experimental Digital Animation Birgitta Hosea - Beyond a Digital Écriture Féminine: Cyberfeminism and Experimental Computer Animation B1 Jodie Mack B2 Maya Yonesho B3 Larry Cuba B4 Max Hattler Close Analysis of Individual Artists Lilly Husbands - A Hermeneutic of Polyvalence: Deciphering Narrative in Lewis Klahr''s The Pettifogger (2011) Steve Reinke - How to be Human: The Animations of Jim Trainor C1 Martha Colburn C2 Masha Krasnova-Shabaeva C3 Diego Akel Science and the Cosmos Janine Randerson - Animating the Cosmological Horizon: Between Art and Science Aylish Wood - Where do Shapes Come From? Sean Cubitt - NASA''s Voyager Fly-by Animations D1 Tianran Duan D2 David Theobald D3 Gregory Bennett t;/B> Lilly Husbands - A Hermeneutic of Polyvalence: Deciphering Narrative in Lewis Klahr''s The Pettifogger (2011) Steve Reinke - How to be Human: The Animations of Jim Trainor C1 Martha Colburn C2 Masha Krasnova-Shabaeva C3 Diego Akel Science and the Cosmos Janine Randerson - Animating the Cosmological Horizon: Between Art and Science Aylish Wood - Where do Shapes Come From? Sean Cubitt - NASA''s Voyager Fly-by Animations D1 Tianran Duan D2 David Theobald D3 Gregory Bennett ;P>D2 David Theobald D3 Gregory Bennett.