Chapter 1: Macbeth von Heiner Muller nach Shakespeare', Lawrence Guntner (Germany).- Chapter 2: 'Macbeth in Korea', Jongsook Lee (Korea).- Chapter 3: Aye, come, Gray-malkin": Transformed Imageries of Graymalkin/Grimalkin in Japan', Tomohiro Okubo (Japan).- Chapter 4: 'From Witches to Daains: An Analysis of the Eco-political Implications of Two Hindi Versions of Macbeth' Anandi Rao (UK).- Chapter 5: Il latte dell'umana dolcezza': A Comparative and Stylistic Analysis of Salvatore Quasimodo's Italian Macbeth ", Allison Steenson (UK) and Luca Trissino (Italy).- Chapter 6: 'Macbeth in Hungary', Balint Szele (Hungary).- Chapter 7: 'Five Translations of Shakespeare's Macbeth, 1874-2023', Ingibjorg Thorisdottir (Iceland).- Chapter 8: 'The Hollowness of the Self in Modern Japan: Tsuneari Fukuda's Early Reception of Macbeth', Kohei Uchimaru (Japan).
- Chapter 9: 'The Bad Sleep Well: Akira Kurosawa's Hamlet-ian Film and Shakespeare's Macbeth', Kaori Ashizu (Japan).- Chapter 10: 'Li Jianwu's Wang Deming', Lanyu Chen (China).- Chapter 11: '"something wicked": The Cultural Functions of Fortune-telling and Witchcraft in Indian Macbeths', Koel Chatterjee (UK).- Chapter 12: 'Macbeth and the Jacobean Gothic', Lucian Ghita (France).- Chapter 13: '"Whatever it was, it wasn't Shakespeare": Rolando Tinio's Makbet in the Rise of Filipino Postcoloniality', Ian Harvey A Claros (Phillipines).- Chapter 14: The Tragic Cycles and the Heroic Era: Shakespeare's Macbeth and Aleksis Kivi's Kullervo, Jyrki Nummi (Finland).- Chapter 15: 'Kurosawa's Throne of Blood (1957) and the Question of Feudalism/Humanism in Post-War Japan', Reiko Oya (Japan).- Chapter 16: 'Confusion now hath made his masterpiece! Oliver Py's Macbeth Philosophe', John Cameron (Canada).
- Chapter 17: 'Macbeth on the Dutch Stage - National, European and Global', Coen Heijes (Netherlands).- Chapter 18: 'Sinophone Adaptations of Macbeth for the Global Stage', Mike Ingham and Bing Tang (Brittany).- Chapter 19: 'Macbeth on Contemporary Czech Stages (A)political, (Un)traditional and (A)sexual', Ivona Misterova and Filip Krajnok (Czech republic),.- Chapter 20: 'A queer Chilean Macbeth: Vicente Ruiz's 'Travesti Shakespeare' (1988)', Javiera Lorezini Raty and Patrizio Javier Gecele Munoz (Chile).- Chapter 21: 'Macbeth in Hungary', Balint Szele (Hungary).- Chapter 22: 'Macbeth in a Female Utopia: Feminist Potential in the Chinese All-female Yue Opera's Macbeth Adaptation general Ma Long', Yueqi Wu (China).- Chapter 23: 'Witches or Goddesses: Encountering the Weird Sisters in Otra Tempestad', Donna Woodford-Gormley (New Mexico).