Acknowledgements; Author bios; 1: Introduction; Section I: Bingeing fans; 2: Historical Binge-Watching: Marathon Viewing on Videotape, E. Charlotte Stevens; 3: "A small Christmas for me": A Study of Binge-Watching and Fan Engagement on Reddit, Rhiannon Bury; 4: Binge-Watching and Fandom: Conclusion, Rhiannon Bury and E. Charlotte Stevens; Section II: Binge-Watching Audiences; 5: Commercial Constructions of Binge-Viewers: A Typology of the New and Improved Couch Potato as Seen on TV, Emil Steiner; 6: Binge-Watching Conditions and Multitasking: The Enjoyable Ephemeral, Lisa Glebatis Perks; 7: What Defines a Binge? Elapsed Time Versus Episodes, Ri Pierce-Grove; 8: Binge-watching and the organization of everyday life, Lothar Mikos & Deborah Castro; 9: Conclusion: Binge-Watching Audience Typologies, Lisa Perks, Emil Steiner, Ri Pierce-Grove, Lothar Mikos; Section III: Transnational Bingeing; 10: National, Transnational, Transcultural Media: Netflix - The Culture-Binge, B. G.-Stolz; 11: National TV as transnational 'cinematic' object: How binge-consumption frames the critical vocabulary, Robert Watts; 12: Transnationalising Genre: Netflix, Teen Drama and Textual Dimensions in Netflix Transnationalism, by Mareike Jenner; 13: Conclusion: Transnational Bingeing, B. G.-Stolz, Robert Watts and Mareike Jenner; Section IV: Binge-Watching Narratives; 14: Digressions and Recaps: The Bingeable Narrative, Lynn Kozak and Martin Zeller-Jacques; 15: 'Next Episode in 5.' - Binge-watching and Narrative in Streaming Television Comedy, Tom Hemingway; 16: The Bingeable Ms.

Gilmore: A Comparative Analysis of Narrative Structure in Broadcast TV Show 'Gilmore Girls' and Netflix Original Show 'Gilmore Girls: A Year in the Life', Orcun Can; 17: Netflix Feminism: Binge-watching Rape Culture in Unbreakable Kimmy Schmidt and Unbelievable, Julia Havas and Tanya Horeck; 18: Conclusion: Bingeing Narratives, Lynn Kozak and Martin Zeller-Jacques, Tom Hemingway, Orcun Can, Julia Havas and Tanya Horeck.