Acknowledgements Contributors Biography Introduction Chapter 1: Postdigital Performance by Matthew Causey Chapter 2: Texts and Contexts by Sarah Bay-Cheng, Jennifer Parker-Starbuck and David Saltz Chapter 3: Intermediality in Theatre and Performance by Chiel Kattenbelt Chapter 4: László Moholy-Nagy''s "Theatre of Totality" by Sue Broadhurst Chapter 5: The Digital Double by Steve Dixon Chapter 6: The Co-Evolution of Performance and Technology by Sally Jane Norman Chapter 7: Soulcraft Theorizing Black Techne in African and American Viral Dance by Reginold A. Royston Chapter 8: Robots on Stage in Contemporary Performance by Elizabeth Jochum Chapter 9: Algorithmic Theater Then and Now by Annie Dorsen and Tom Seller Chapter 10: Proscenium as Temporary Shelter by Catherine M. Cole Chapter 11: Performing ''Art and Technology'' in Cold War America by Douglas Eacho Chapter 12: Performance After Automation by Nicholas Ridout Chapter 13: Dancing and Cameras by Bill T. Jones Chapter 14: Choreographing Technology, A Dialog with Bebe Miller Chapter 15: Animate: XR, Bodies, and the Future of the Stage by Timothy Thomasson and Chris Salter Chapter 16: Body and Shado: Contingent Transformations of Light on Stage by Katherine Graham Chapter 17: On The Notion of Verticality in Dramaturgy by Jörgen Dahlqvist Chapter 18: Invisible Performers: Sonic Ghosts, an Acousdramatic Approach, and the Transformative Potential of Digital Audio Technology in Theater by Kent Olofsson Chapter 19: Feminist Unboxing: A Critical Approach toward Incorporating Digital Technologies into Creative and Scholarly Work by Jessica J. Rajko Chapter 20: Post-Colonial Güícharo Robots and the Complexities of Sense-Making in Performance and Technology: A Dialog with Yanira Castro by Norah Zuniga Shaw Chapter 21: The Non-Linearity of Technical Production in the Performing Arts by Ashley Ferro-Murray Chapter 22: Headphone Theater and the Performance of Perception by Rosemary Klich Chapter 23: Choreoauratic Frequencies: Tuning in to Headphonic Encounters from Aotearoa by Becca Wood Chapter 24: The Spectatorial Body in Multimedia Performance: The London International Festival of Theatre (Lift) 2010 by Jennifer Parker-Starbuck Chapter 25: But How Will They Know It''s Live? Anonymous Ensemble''s Virtual Performances by Jessica Del Vecchio and Eammon Farrell Chapter 26: The Digital Double as a Choreographic Technique: The Splitting Magic on Screens by Suparna Banerjee Chapter 27: Dramaturgy of Technological Absence: Tim Crouch''s Truth''s a Dog Must to Kennel by Seda Ilter Chapter 28: The Cyborg-Apparatus Continuum. or, how the question concerning technology has twisted and turned by Kristof van Baarle Chapter 29: Access, Performance, Technology: Engaging with the Omissions of a Past Creative Self by Alice Sheppard Chapter 30: Utterances of Global Futurisms by Bhumi B Patel Chapter 31: Performing Telepresence: Technology and Coloniality in Choy Ka Fai''s Postcolonial Spirits (2021) by Evelyn Wan Chapter 32: The Ear That Speaks by Eddie Paterson and Lara Stevens Chapter 33: Critical Techno-dramaturgy: Mobilizing Embodied Perception of the Human-Technology Relationship in Performance by Stephen Fernandez Chapter 34: The Theatricality of Mindar, KÅdai-ji Temple''s Android Buddhist Priest by Yuji Sone Chapter 35: Technologies of Community: Digital Portraits in Black Dance by Thomas F. Defrantz Chapter 36: Cultural Dreams of Datafied Bodies: Motion Capture as a Technological Imaginary by Laura Karreman Chapter 37: "In the Half-ight": Phenomenological Approaches to Complex Technological Systems by Susan Kozel Chapter 38: Landing and Dispersing at the Same Time: Embodied Awareness in Virtual and Physical Spaces by Ruth Gibson and Jenny Roche Chapter 39: Attending to the Dandelions: Social Movement Building through Participatory Arts Practice by Lyndsey Vader Chapter 40: Black Haptics by Andre M. Zachery Chapter 41: Performance as an act of Generosity: Sharing Aboriginal Stories through Drone Dramaturgy in Moombaki by Christina Chau and Helena Grehan Chapter 42: Technopoetics of Togetherness: Live Performance before the End of the World by Marcela A.

Fuentes Chapter 43: The Politics of Performance and Technology in South AfricaJay Pather in dialog with Norah Zuniga Shaw and with contributions from Dr. Ketu Katrak Chapter 44: Addenda, Phenomenology, Embodiment: Cyborgs and Disability Performance by Petra Kuppers Chapter 45: Blast Theory''sKaren:Reharnessing the New Digital Specificities of a Hyperindustrial World by Neill O''Dwyer Chapter 46: A Bed of One''s Own: (In)Voluntary Choices of Disengagement in Digital Performance Environments by Eirini Nedelkopoulou Chapter 47: The Sublime Grandeur of Inconsequential Death by Kate Ladenheim Chapter 48: Performing Counterhistory: The Ghostly Archives of Summer of Soul by Gabriela Trigo-McIntyre Chapter 49: Archives of Care by Gesel R. Mason, Rebecca Salzer, and Carlson H. Coogler Chapter 50: Critical Multimedia Editions for Theater Research by Miguel Escobar Varela Chapter 51: Evolving Practices of Choreographic Transmission for the Screen and Beyond by Shannon Cuykendall Chapter 52: Playing at Performance: Dance Games and Intimate Media by Kiri Miller Chapter 53: Steps by Paul Kaiser Chapter 54: Just Moves?: Motion Extraction, Machine Learning, and the Generative Derivative in Dance By Harmony Bench Chapter 55: TikTok and Short-Form Screendance Before and After COVID byAlexandra Harlig and Harmony Bench with Crystal Abidin, Trevor Boffone, Kelly Bowker, Colette Eloi, Pamela Krayenbuhl and Chuyun Oh Chapter 56: Data Drama: How Machine Audiences Reprogram Theater by Sarah Bay-Cheng with contributions from Mariel Marshall and Daniela Rosu Index.