Acknowledgements Contributors Biography Introduction Chapter 1: Postdigital Performance by Matthew Causey Chapter 2: Texts and Contexts by Sarah Bay-Cheng, Jennifer Parker-Starbuck and David Saltz Chapter 3: Intermediality in Theatre and Performance by Chiel Kattenbelt Chapter 4: László Moholy-Nagy''s "Theatre of Totality" by Sue Broadhurst Chapter 5: The Digital Double by Steve Dixon Chapter 6: The Co-Evolution of Performance and Technology by Sally Jane Norman Chapter 7: Soulcraft by Reginold A. Royston Chapter 8: Robots on Stage in Contemporary Performance by Elizabeth Jochum Chapter 9: Algorithmic Theater Then and Now by Annie Dorsen and Tom Seller Chapter 10: Proscenium as Temporary Shelter by Catherine M. Cole Chapter 11: Performing ''Art and Technology'' in Cold War America by Douglas Eacho Chapter 12: Performance After Automation by Nicholas Ridout Chapter 13: Dancing and Cameras by Bill T. Jones Chapter 14: Choreographing Technology, A Dialog with Bebe Miller Chapter 15: Animate by Timothy Thomasson and Chris Salter Chapter 16: Body and Shadow by Katherine Graham Chapter 17: On The Notion of Verticality in Dramaturgy by Jörgen Dahlqvist Chapter 18: Invisible Performers by Kent Olofsson Chapter 19: Feminist Unboxing by Jessica J. Rajko Chapter 20: Yanira Castro Dialog by Norah Zuniga Shaw Chapter 21: The Non-Linearity of Technical Production in the Performing Arts by Ashley Ferro-Murray Chapter 22: Headphone Theater and the Performance of Perception by Rosemary Klich Chapter 23: Choreoauratic Frequencies by Becca Woods Chapter 24: The Spectatorial Body in Multimedia Performance by Jennifer Parker-Starbuck Chapter 25: But How Will They Know It''s Live? by Jessica Del Vecchio and Eammon Farrell Chapter 26: The Digital Double as a Choreographic Technique by Suparna Banerjee Chapter 27: Dramaturgy of Technological Absence by Seda Ilter Chapter 28: The Cyborg-Apparatus Continuum. or, how the question concerning technology has twisted and turned by Kristof van Baarle Chapter 29: Access, Performance, Technology by Alice Sheppard Chapter 30: Utterances of Global Futurisms by Bhumi B Patel Chapter 31: Performing Telepresence by Evelyn Wan Chapter 32: The Ear That Speaks by Eddie Paterson and Lara Stevens Chapter 33: Critical Techno-dramaturgy by Stephen Fernandez Chapter 34: The Theatricality of Mindar, Kodai-ji Temple''s Android Buddhist Priest by Yuji Sone Chapter 35: Technologies of Community by Thomas F. Defrantz Chapter 36: Cultural Dreams of Datafied Bodies by Laura Karreman Chapter 37: ''In the Half-Light'' by Susan Kozel Chapter 38: Landing and Dispersing at the Same Time by Ruth Gibson and Jenny Roche Chapter 39: Attending to the Dandelions by Lyndsey Vader Chapter 40: Black Haptics by Andre M. Zachery Chapter 41: Performance as an act of Generosity by Christina Chau and Helena Grehan Chapter 42: Technopoetics of Togetherness by Marcela A.

Fuentes Chapter 43: The Politics of Performance and Technology in South Africa Jay Pather in dialog with Norah Zuniga Shaw and including passages by Dr. Ketu Katrak Chapter 44: Addenda, Phenomenology, Embodiment by Petra Kuppers Chapter 45: Blast Theory''s Karen by Neill O''Dwyer Chapter 46: A Bed of One''s Own by Eirini Nedelkopoulou Chapter 47: The Sublime Grandeur of Inconsequential Death by Kate Ladenheim Chapter 48: Performing Counterhistory by Gabriela Trigo-McIntyre Chapter 49: Archives of Care by Gesel R. Mason, Rebecca Salzer, and Carlson H. Coogler Chapter 50: Critical Multimedia Editions for Theater Research by Miguel Escobar Varela Chapter 51: Evolving Practices of Choreographic Transmission for the Screen and Beyond by Shannon Cuykendall Chapter 52: Playing at Performance by Kiri Miller Chapter 53: STEPS by Paul Kaiser Chapter 54: Just Moves? By Harmony Bench Chapter 55: TikTok and Short-Form Screendance Before and After Covid by Alexandra Harlig Chapter 56: Data Drama by Sarah Bay-Cheng with contributions from Mariel Marshall and Daniela Rosu Index.