Introduction Part I: Theories 1. Reflections on Complexities in Contemplating Global Music History, 2. Alternative Histories of Twentieth-Century Music: On synchronization and entanglement as historiographical methods, 3. Mediterranean Voices : Music History in Today's Plural Societies, 4. Asia as Method: Early Twentieth-Century Asianism and the Writing of Music History, 5. Overcoming Asymmetry: Repositioning East Asian Musics, 6. Cross-Colonial Counterpoint: Korean and Taiwanese Music in Transimperial Entanglement, 7. Nationalism or National Indifference?: Western Music Historiographies in Japan Part II: Practices 8.

Computational Methods and Approaches for a Global Music History, 9. Real and Imagined Musical Journeys: Historical Performance, Voyages, and Crossover Projects, 10. Life History of Objects: The Case of a "Scene in the Principal Chinese Theatre, San Francisco" , 11. Cross-cultural interactions of different eras: Fieldwork and music education spaces in contemporary India , 12. Getting Your Own Back: Cross-Cultural Movement of Intangible Valuables in Aboriginal Australia, 1 3. Current currents in ethnomusicology: Aukilani, Pasifika, Aotearoa New Zealand decantations.