Preface: A Quebecer Pioneer of Music Recording - André Perry and Gérald Côté, Introduction - Simon Zagorski-Thomas, Katia Isakoff, Sophie Stévance and Serge Lacasse Part 1 - The Creative Use Of Technology 1. Tanya Tagaq: A Cosmopolitan Artist in the Studio - Sophie Stévance and Serge Lacasse 2. Moving at High Speed Into the Future: Notes on British Postpunk Record Production - Albin Zak 3. Mixing with Quotation Marks: Restrictive Mashups and Contextual Transformation - Ragnhild Brøvig-Hanssen 4. Heaviness in Three Dimensions: The Use of Sonic Space in Contemporary Metal Music Production - Mark Mynett Part 2 - The Social Interactions Of Production Activity 5. Who's the Producer? - Mike Howlett 6. Random Access Changed Everything - Richard James Burgess 7. The "Virtual" producer in the Recording Studio: Media Networks in Long Distance Peripheral Performances - Isabel Campelo Part 3 - Forms Of Theoretical Analysis 8.
The Systems Approach to Creative Practice: The Case of Supersonic 2003-2004 - Phillip McIntyre 9. What is a Jazz Record Anyway? Lennie Tristano and the Use of Extended Studio Techniques in Jazz - Marian Jago 10. Sound Engineering in the Recording Studio as Creative Practice - Paul Thompson and Phillip McIntyre 11. Studio Recording and World Music Making in Central America: The Case of the Garifuna Paranda, From Local Revival to Internationalization - Ons Barnat 12. Haydn in Modern Dress: Applying Experimental Contemporary Production Techniques to the Classical Repertoire - Simon Zagorski-Thomas cording Studio: Media Networks in Long Distance Peripheral Performances - Isabel Campelo Part 3 - Forms Of Theoretical Analysis 8. The Systems Approach to Creative Practice: The Case of Supersonic 2003-2004 - Phillip McIntyre 9. What is a Jazz Record Anyway? Lennie Tristano and the Use of Extended Studio Techniques in Jazz - Marian Jago 10. Sound Engineering in the Recording Studio as Creative Practice - Paul Thompson and Phillip McIntyre 11.
Studio Recording and World Music Making in Central America: The Case of the Garifuna Paranda, From Local Revival to Internationalization - Ons Barnat 12. Haydn in Modern Dress: Applying Experimental Contemporary Production Techniques to the Classical Repertoire - Simon Zagorski-Thomas.