Introduction Prologue : The Record Store That Saved My Life Mark Trehus, Independent Scholar/Record Store Owner, USA Part 1: Record Stores as Community 1 "We 'Bout it 'Bout it": The Independent Record Store in Post-Katrina New Orleans Jay Jolles, College of William and Mary, USA 2 Firecorner: The Importance of Reggae Record Shops in Black London and the Cultural Confluence of West Indian Music Kenny Monrose, Cambridge University, UK 3 Journey of a Girl in a Plaid Skirt and Knee Socks Holly Gleason, Independent Scholar, USA 4 The Cult of the Record Bar Stephen Shearon, Middle Tennessee State University, USA 5 Magic in Here: Brisbane's Alternative Record Stores From the 1970s to the Digital Age Ben Green, Griffith University, Australia 6 High Fidelity Across Twenty-Five Years: Record Shops, Taste, and Streaming Jon Stratton, University of South Australia, Australia 7 Reflections from the Girls Behind the Counter: Women and Independent Record Stores Lee Ann Fullington, Brooklyn College CUNY, USA Part 2 : Cultural Geography of Record Stores 8 "Ways of living": Touristification and Gentrification in Spanish and Portuguese Record Shops Fern á n Del Val, Universidad Nacional de Educación a Distancia , Spain 9 Living Popular Music in "high fidelity:" Portugal's Independent Record Stores 1998-2020 Paula Guerra, University of Porto, Portugal 10 Music on the Turntables When the Tables are Turning: A History of Record Stores in Romania from Late Socialism to the Present Claudiu Oancea, New Europe College, Romania 11 Jazzhole: How a Record Store Became the Lone Priest of Nigerian Oldies' Pop Culture Eromo Egbejule, Malmö University, Sweden 12 The Influence of Imported Records and their Stores on the History of Popular Music in Japan Ken Kato, Osaka University, Japan 13 Recording the Irish Experience: The Record Shop and Fair as Archive Paul Tarpey, Limerick School of Art and Design, Ireland 14 The Revolution Will Not Be Televised, It Will Be Taped: Popular Music Acquisition in Pre- and Post-Revolution Tehran Lily Moayeri, Independent Scholar, USA Part 3 : Sites for Fandom and Performance of Subcultural Capital 15 Making Indie Noises in the Corporate Outlet: Beating Capitalism at Its Own Game Roy Montgomery, Lincoln University, New Zealand 16 Rip Off Records (Hamburg) and the Microhistory of Capitalism Karl Siebengartner, Independent Scholar, Germany 17 Soul Bowl: Rare Soul Uncovered Christopher Spinks, University of East Anglia, UK 18 Lucky Records - Music Makes the People Come Together Mariana Lins, Federal University of Pernambuco, Brazil 19 Rough Trade Paris (1992-1999): The History of a Scene Jean Foubert, LARCA Université Paris-Cité , France 20 Musicians in the Record Store: Celebrity Encounters Through Amoeba Music's What's in My Bag? Christine Feldman-Barrett, Griffith University, Australia 21 "Contents Expected to Speak for Themselves:" A Preliminary Understanding of North American Self Service Record Retail Tim J. Anderson, Old Dominion University, USA 22 Lost in the Booth: British Record Store Listening Booths as Atmospheric Sites of Intimacy Peter Jachimiak, University of South Wales, UK Contributors Index.