Part 1: Composition and Performance 1. Object-Oriented Discography: Collaboration, Creativity and the Music Hyperobject ; 2. Redividing the Octave for Expanded Tonal Spaces: Further Practical Explorations of Formalised Approaches to (Poly)Microtonal Composition ; 3. Composing with waves: An empirical ontology of electromagnetism ; 4. Spatial composition: existing concepts and new applications ; 5. Intentional Decision Making: Exploring What Improvising Composers Want Their Musical Choices to Do ; 6. There is music in your noise: composition as a denoising process of experimental results ; 7. Emotionally Adaptive Music: Towards human composer agency in music composition with automated text/dialogue using multi-dimensional sentiment analysis ; 8.
An exploratory user study of tablature software: perspectives on popular music creativity with algorithmic tools ; 9. Bring Machines: Observations and Proposed Frameworks for Improvised Electronic Music Performance ; 10. Recasting mixed music with live electronics: towards a performance-based approach ; 11. The Post-Musical Performer: creative and performative challenges in works for saxophone ; 12. Understanding and Emulating Time: Analyzing and Simulating Musical Microrhythm Timing with the beat_it Toolbox ; 13. Evolving music theory for emerging musical languagesPart 2: Case Studies 14. 'Let the smile always be independent of nationality': Creating Space for Migrant Voices through Participatory Art ; 15. "Drunk" post-rebetiko blues: Anatomising two "dírla" intercultural songs ; 16.
Liquidation as Quotation: Adventures in Folk Music and Deconstructive Compositional Technique ; 17. Organising 'The Croydon Concert': How Ornette Coleman re-started his career ; 18. "Let the Dance Contest Begin!": Varying Interpretations of Metric Modulation within Chinese Man's 'Step Back' ; 19. Kokoronaki / Minimo Awarewa/ Shirarekeri / Shigitatsu Sawano / Akino Yugure: Exploring Cross-Cultural Composition and Cultural Identity ; 20. Let's Hear It: Unspoken Codes of Collaborative Creation in Songwriting Camps ; 21. Creating Cross-Genre Fusions: A Practice-as-Research Approach ; 22. Bike Voyage II Apple: Björn J.son Lindh's innovative flute playing in a new context ; 23.
Increasing Student Composer Diversity and Visibility: The BBC Television Programme Boarders As An Innovation Case Study ; I ndex.