Browse Subject Headings
Critical Approaches to the Production of Music and Sound
Critical Approaches to the Production of Music and Sound
Click to enlarge
ISBN No.: 9781501355783
Pages: 288
Year: 201907
Format: Trade Paper
Price: $ 67.13
Dispatch delay: Dispatched between 7 to 15 days
Status: Available

List of Figures List of Tables List of Contributors Chapter 1: The Production of Music and Sound: A Multidisciplinary Critique Eliot Bates and Samantha Bennett Section 1: Situating Production: Place, Space and Gender Chapter 2: Field Recording and the Production of Place Tom Western (University of Edinburgh, Scotland) Chapter 3: The Poietics of Space: The Role and Co-performance of the Spatial Environment in Popular Music Production Damon Minchella (University of Birmingham, England) Chapter 4: "An Indestructible Sound": Locating Gender in Genres Using Different Music Production Approaches Paula Wolfe (Sib Records, England) Section 2: Beyond Representation Chapter 5: Producing TV Series Music in Istanbul Eliot Bates (City University of New York, USA) Chapter 6: Reclamation and Celebration: Kodangu, a Torres Strait Islander Album of Ancestral and Contemporary Australian Indigenous Music Karl Neuenfeldt (Queensland Conservatorium, Griffith University, Australia) Section 3: Electronic Music Chapter 7: "All Sounds Are Created Equal": Mediating Democracy in Acousmatic Education Patrick Valiquet (University of Edinburgh, UK) Chapter 8: Technologies of Play in Hip-Hop and Electronic Dance Music Production and Performance Mike D'Errico (UCLA, USA) Section 4: Technology and Technique Chapter 9: Weapons of Mass Deception: The Invention and Re-invention of Recording Studio Mythology Alan Williams (UMASS, Lowell, USA) Chapter 10: Auto-Tune In Situ: Digital Vocal Correction And Conversational Repair Owen Marshall (Cornell University, USA) Section 5: Mediating Sound and Silence Chapter 11: Listening To or Through Technology: Opaque and Transparent Mediation Ragnhild Brøvig-Hanssen (University of Oslo, Norway) Chapter 12: Six Types of Silence Richard Osborne (Middlesex University, England) Section 6: Virtuality and Online Production Chapter 13: Intermixtuality: Case Studies in Online Music [Re]Production Samantha Bennett (Australian National University, Australia) Chapter 14: Crowdfunding and Alternative Modes of Production Mark Thorley (Coventry University, England) Index.


To be able to view the table of contents for this publication then please subscribe by clicking the button below...
To be able to view the full description for this publication then please subscribe by clicking the button below...
Browse Subject Headings