Part 1, Fundamental Principles 1Soundwaves Enclosed Spaces Performance Venues 2Audio Chain from Sound Source to Listener Integrity within an Audio Chain Basic Concepts and Terminology Part 2, Production 3Microphone Types The Behavior of a Pure Diaphragm Condenser Microphones Dynamic and Ribbon Microphones 4Microphone Characteristics Frequency Response Directional (Polar) Patterns Random Energy Efficiency Distance Factor Proximity Effect Phase 5Stereo Microphone Techniques Coincident Pairs Near-Coincident Arrays Spaced Microphones 6Tracking Critical Listening Setting Levels Room Ambience Part 3, Post-Production 7EQ - Frequency Balance Digital Filters Common Practices 8Control of Dynamic Range Compressors Limiters Dynamic EQ De-essers 9Reverberation Digital Reflection Simulation Convolution 10Delivery File Types Loudness and Meters Part 4, Common Recording Strategies 11Solo Piano Recording in Stereo Unfavorable Room Acoustics 12Soloists with Piano Accompaniment 13Small Ensembles 14Sessions Solo Piano Solo Cello Double Bass and Piano 15Studio Techniques: Re-Creating the Aural Sense of Historic Spaces Pre-Production Production Post-Production nergy Efficiency Distance Factor Proximity Effect Phase 5Stereo Microphone Techniques Coincident Pairs Near-Coincident Arrays Spaced Microphones 6Tracking Critical Listening Setting Levels Room Ambience Part 3, Post-Production 7EQ - Frequency Balance Digital Filters Common Practices 8Control of Dynamic Range Compressors Limiters Dynamic EQ De-essers 9Reverberation Digital Reflection Simulation Convolution 10Delivery File Types Loudness and Meters Part 4, Common Recording Strategies 11Solo Piano Recording in Stereo Unfavorable Room Acoustics 12Soloists with Piano Accompaniment 13Small Ensembles 14Sessions Solo Piano Solo Cello Double Bass and Piano 15Studio Techniques: Re-Creating the Aural Sense of Historic Spaces Pre-Production Production Post-Production Dynamic EQ De-essers 9Reverberation Digital Reflection Simulation Convolution 10Delivery File Types Loudness and Meters Part 4, Common Recording Strategies 11Solo Piano Recording in Stereo Unfavorable Room Acoustics 12Soloists with Piano Accompaniment 13Small Ensembles 14Sessions Solo Piano Solo Cello Double Bass and Piano 15Studio Techniques: Re-Creating the Aural Sense of Historic Spaces Pre-Production Production Post-Production Bass and Piano 15Studio Techniques: Re-Creating the Aural Sense of Historic Spaces Pre-Production Production Post-Production.
Recording Classical Music