Chapter 1: Introduction: Rethinking Protest Music by Eric Drott, Noriko Manabe Chapter 2: Nonlyrical Dimensions of Protest Music by William G. Roy, Ashley Gromis Chapter 3: Marshallese Articulations of Protest by Jessica A. Schwartz Chapter 4: Troubling Vocality: The Human Microphone and Parahuman Attunement by Andrew Niess Chapter 5: Climates of Dissent by Benjamin Tausig Chapter 6: What Is This Thing Called Protest Music? by Eric Drott Chapter 7: Why 1976? Explaining the Rise and Fall of Protest Music by John Street, Matthew Worley, David Wilkinson Chapter 8: Sociopolitical Song in India: Negotiating Universal Values and Local Causes by Peter Manuel, Chris McGuinness Chapter 9: Music, Memory, and Protest: Ukraine's EuroMaidan as Digital Revolution by Adriana Helbig Chapter 10: "What's a Hero": Music, Memory, and Martyrdom in Postcolonial Zimbabwe by Jennifer W. Kyker Chapter 11: Protest Song, Tradition, and the Performativity of Resistance in the Palestinian National Movement by David A. McDonald Chapter 12: Parsing Protest in the Democratic Republic of the Congo: A Mixtape by Chérie Rivers Chapter 13: Beyond Strike Songs: Hearing Voice in Musicking at Work by Marek Korczynski Chapter 14: How Does A Boycott Sound? by Andrea F. Bohlman Chapter 15: Valentin Sylvestrov on the Maidan by Peter J. Schmelz Chapter 16: Straight Edge Punk: Lifestyle Movements at the Intersection of Music Subcultures and Social Movements by Ross Haenfler Chapter 17: Hood Politics: Hip-Hop and Its Political Voice by Lakeyta M. Bonnette-Bailey, Lestina M.
Dongo Chapter 18: The Islamic State as Social Movement Organization and the Concept of Protest in its Anashid by Jonathan Pieslak Chapter 19: Listening to Geographies of Responsibility in post-3.11 Japan: Affective Alliances and Jinta-la-Mvta's Antinuclear Music by Marié Abe Chapter 20: HONK! Activism: Alternative Brass Bands as Political Projects by Reebee Garofalo Chapter 21: The Rise and Fall of Hardbass Flash Mobs in the European Far Right by Benjamin R. Teitelbaum Chapter 22: The political legacy of Woodstock: Rock music festivals and protest by Andy Bennett Chapter 23: 'Our Rebellions are also Festivals': Fêtes Politiques and Popular Music in 1970s France by Jedediah B. Sklower Chapter 24: Who Can Stop the Drums? Fiestas as Sites of Popular Organization in Venezuela by Sujatha Fernandes Chapter 25: Puritans and Protest Songs in Revolutionary Britain by Angela J. McShane Chapter 26: Getting Protest Songs to the People: Alternative Networks and Independent Media in Twentieth-Century Pre-Internet USA by Anthony Seeger Chapter 27: Dissonant Voices in China's Harmonious Society: From Cassettes to WeChat, Nation to Anashid by Rachel Harris Chapter 28: Music, Media, and Anarchism in the "Oaxaca Commune" by Alexander Stewart Chapter 29: Pirate protest music by Patrick Burkart, Martin Fredriksson Chapter 30: Intertextuality in Protest Music: A Typology by Noriko Manabe Chapter 31: The "Swinish Multitude" Political Song and Transatlantic Print in the Age of Revolution by Glenda Goodman Chapter 32: Seguimos en la lucha: The Continuing Narrative of Mexican Immigrant and Chicano Protest Music by Catherine A Ragland Chapter 33: Chinese Protest Songs of the Twentieth Century by Frederick Lau Chapter 34: An Intertextual Public Sphere: Protest Songs of Hong Kong's Umbrella Movement in Cyberspace by Sheryl Man-Ying Chow Chapter 35: Argentine Rock: From Castaways to Allegorists by Mara Favoretto Chapter 36: Global Hip Hop's Burden of Resistance by Catherine M. Appert Chapter 37: Classical Music as Protest Music by Esteban Buch Chapter 38: Is Heavy Metal Protest Music? by Esther Clinton, Jeremy Wallach Chapter 39: Moving Beyond the Pamphlet: Transformations in Colombian Protest Song in the 1970s-1980s by Joshua Katz-Rosene Chapter 40: Mahraganat Music: Protest on the Margin by Mounira Soliman.