Part 1: Innovating Technological Affordance 1. Mapping Voices in Space: Sonic Portrays and Spatial Audio as Post-Acousmatic Research Methodology ; 2. Aural Architectures and Haunted Virtualities: Rethinking Headset-based VR as a Sonic Space ; 3. Rethinking the Process of Audio Mixing: A Three-Stage Model for Understanding Mixing in Contemporary Record Production ; 4. Exploring the Affordances of Elektron's Syntakt in (Electronic) Music Production and Performance with a DAW ; 5. Mechanical Techno in the studio: writing a track by building a kinetic sounding sculpture ; 6. Evaluating Gravity Well for Virtual Fader Acquisition: A Formal Study in Haptics for Audio Production ; 7. Recording without Headphones: Past, Present, and Future ; 8.
Three innovative methods to improve the craft of music mixing ; 9. Sound at Source: Instrument Modification and Machine Aesthetics ; 10. (Just Like) Starting Over? What Earlier Instruments Can - and Can't - Tell Us About Accessible Digital Musical Instruments and Disability ; 11. Crafting the Vibe: Innovative Vibrotactile Feedback for Blind and Visually Impaired Music Creators ; 12. Whose line is it anyway? A Case Study in Generative AI for Software Development: MIDI-processing Plug-in Design ; 13. EMMA: An Electromyographic Musical Instrument for Embodied ExpressionPart 2: New Paradigms 14. Financial Support for non-traditional Concert Formats: an Analysis of Projects presented by Orchestras and Chamber Ensembles ; 15. New learning journeys are needed for contemporary audio mastering education within the UK ; 16.
Innovative Listening: Reframing our Engagement with Sound in Music Production ; 17. Not going back: Steps towards an ecology of musical creAItivity ; 18. Generative AI as a tool to support film composition and sound design - an industry case study ; 19. Audio without a Vision: A theory of Narrative Audiobook Music ; 20. From Creative Trust to Creative Templates: How AI Transforms Musical Creativity into a Commodity in Contemporary Popular Music Production ; 21. Bridging the Gap: an innovative approach to increasing the effectiveness of postgraduate provision in preparing students for careers in the modern music industry ; 22. Experiencing Uncertainty: Unlocking the Ecological Value of Quantum Computing for Musical Creativity ; 23. Designerly Thinking: A New Lens To Address Contemporary Music Production Challenges ; 24.
Ancestral Virtual Sound Objects: A Decolonial Approach to Virtual Instrument Making.