"In recruiting members to radical groups, 'you lead with culture and social bonding and then ideology comes to sink in,' says Jonathan Pieslak, an associate professor of theory and composition at the City College of New York. His forthcoming book, Radicalism and Music, examines the music cultures of Al Qaeda, racist skinheads, Christian-affiliated radicals, and eco/animal-rights militants."--Ursula Lindsey, Chronicle of Higher Education, interviewed for the article The Ties that Bind Jihadists "Radicalism and Music is a compelling read, rigorously researched and accessible to the interested reader. Pieslak is to be commended for his neutral approach: he comes across as intellectually intimate with his subjects without being committed to their respective agenda or passing judgment."--Nelly Lahoud, author of The Jihadis' Path to Self-Destruction "Jonathan Pieslak, apart form being a wonderful composer and teacher and thinker, invented a new genre of musicology for Radicalism and Music, a method that involves equal parts deep knowledge and derring-do: to explore the meaning of music to either al-Qa'ida or the Westboro Baptist Church, and to then walk 'across the aisle' and compare them to the most extreme animal rights activists takes a heroic amount of sangfroid. His bravado is our gain, as we all try to understand the complexities of our world that can seldom, if ever, be easily explained."--Daniel Felsenfeld, composer "Pieslak's work reveals uses of music that are questionable and discomforting and thus rarely studied. By skillfully comparing music's role in a range of extremist cultures, Pieslak remaps the bounds of human musicality, showing how music's social and emotional power can inspire violence as much as community, cultivate hatred as much as beauty.

"--Daniel Cavicchi, author of Listening and Longing: Music Lovers in the Age of Barnum "One thing Al Qaeda, neo-Nazi skinheads and animal-rights extremists share: a love of music. In Radicalism & Music, City College of New York professor Jonathan Pieslak explores Islamist, skinhead, Christian Identity and militant environmentalist subcultures and finds music was often pivotal in the radicalization of adherents. He investigates the links between Wade Page, Milwaukee's Sikh Temple of Wisconsin shooter, and the racist hardcore punk scene. Pieslak's point is that music's power to rouse emotion at the expense of reason drives many dangerous ideas."--David Luhrssen, Shepherd Express "In recruiting members to radical groups, 'you lead with culture and social bonding and then ideology comes to sink in,' says Jonathan Pieslak, an associate professor of theory and composition at the City College of New York. His forthcoming book, Radicalism and Music, examines the music cultures of Al Qaeda, racist skinheads, Christian-affiliated radicals, and eco/animal-rights militants."--Ursula Lindsey, Chronicle of Higher Education, interviewed for the article "The Ties that Bind Jihadists" "Espousing of violence is common to many. Pieslak shows how music helps create what political scientist Benedict Anderson called an 'imagined community.

' Pieslak concludes that music can be dangerous, as evidenced by its influence over such extremists as Arid Uka, Anders Breivik, and Wade Page."--S. Zuhur, Choice.