IV. Baroque: The Baroque Decorations in San Silvestro in Capite, Rome Review of John Pope-Hennessy, Italian High Renaissance and Baroque Sculpture [with the collaboration of Marilyn Aronberg Lavin] Duquesnoy's Nano di Créqui and Two Busts by Francesco Mochi [with the collaboration of Marilyn Aronberg Lavin] Pietro da Cortona Documents from the Barberini Archive Fischer von Erlach, Tiepolo, and the Unity of the Visual Arts [With Marilyn Aronberg Lavin] Rembrandt's Jewish Bride: Sister and Spouse Georges de La Tour. The Tears of St. Peter and the 'Occult' Light of Penitence V. Modern: Abstraction in Modern Painting. A Comparison A Fragment, in Paul Suttman. The Master-Pieces . 1981-1991, New York, 1991, 3; Picasso's Lithograph(s): "The Bull(s)" and the History of Art in Reverse The Body Artist; Storm King: The Genius of the Place Théodore Aubanel's Les Filles d'Avignon and Picasso's Sum of Destructions Going for Baroque: Observations on the Post-Modern Fold VI.

Theater: On the Unity of the Arts and the Early Baroque Opera House The Campidoglio and Sixteenth-Century Stage Design Review of Alois Maria Nagler, Theatre Festivals of the Medici 1539-1637 VII. Art History: When Vatican Art Goes on the Road Words in Memory of Horst Woldemar Janson The Art of Art History Obituary. Howard Hibbard 1928-84 Iconography Group discussion published in The Relationship between Art and Architecture Iconography as a Humanistic Discipline (Iconography at the Crossroads) Panofsky's History of Art The Crisis of Art; Remarks in Celebration of the Centenary of the Kunsthistorisches Institut in Florenz Intoduction to Erwin Panofsky. Three Essays on Style Panofsky, Gombrich, Bredekamp : D.D.D. Index.