Introduction: Citations of Cinema in Artists'' Moving Image Since the 1990s Section 1: Sampling Chapter 1: Slurs, Stutters and Screams: Articulations of Hollywood''s Unconscious in Artists'' Moving Image · 24 Hour Psycho (Douglas Gordon, 1993) · Alone. Life Wastes Andy Hardy (Martin Arnold, 1998) · Him + Her (Candice Breitz, 1968-2008) Chapter 2: Found Footage Film as Feminist Poetics · Bullets for Breakfast (Holly Fisher, 1992) · Psi Girls (Susan Hiller, 1999) · Mirror World (Abigail Child, 2006) Chapter 3: The Documentary Turn in Contemporary Art · B/Side (Abigail Child, 1996) · Dial H-I-S-T-O-R-Y (Johan Grimonprez, 1997) · Bernadette (Duncan Campbell, 2008) Section 2: Imitation Chapter 4: Maximal Intertextuality · Cremaster Cycle (Matthew Barney, 1994-2002) · Feature (Shezad Dawood, 2008) · Over the Rainbow (Rachel Maclean, 2013) Chapter 5: Aesthetic Dissonance and the Hollywood Fragment as Audiovisual Metonym · Deadpan (Steve McQueen, 1997) · Zoo (Salla Tykkä, 2006) · Zarathustra (Jesse Jones, 2008) Chapter 6: The Unfinished Film and Archival Partiality · Two Impossible Films (Mark Lewis, 1995) · Unfolding the Aryan Papers (Jane and Louise Wilson, 2009) · End Credits (Steve McQueen, 2012-2022) Conclusion: New Directions for Critical Engagements with Cinema in Artists'' Moving Image Bibliography Index d Dawood, 2008) · Over the Rainbow (Rachel Maclean, 2013) Chapter 5: Aesthetic Dissonance and the Hollywood Fragment as Audiovisual Metonym · Deadpan (Steve McQueen, 1997) · Zoo (Salla Tykkä, 2006) · Zarathustra (Jesse Jones, 2008) Chapter 6: The Unfinished Film and Archival Partiality · Two Impossible Films (Mark Lewis, 1995) · Unfolding the Aryan Papers (Jane and Louise Wilson, 2009) · End Credits (Steve McQueen, 2012-2022) Conclusion: New Directions for Critical Engagements with Cinema in Artists'' Moving Image Bibliography Index d Dawood, 2008) · Over the Rainbow (Rachel Maclean, 2013) Chapter 5: Aesthetic Dissonance and the Hollywood Fragment as Audiovisual Metonym · Deadpan (Steve McQueen, 1997) · Zoo (Salla Tykkä, 2006) · Zarathustra (Jesse Jones, 2008) Chapter 6: The Unfinished Film and Archival Partiality · Two Impossible Films (Mark Lewis, 1995) · Unfolding the Aryan Papers (Jane and Louise Wilson, 2009) · End Credits (Steve McQueen, 2012-2022) Conclusion: New Directions for Critical Engagements with Cinema in Artists'' Moving Image Bibliography Index d Dawood, 2008) · Over the Rainbow (Rachel Maclean, 2013) Chapter 5: Aesthetic Dissonance and the Hollywood Fragment as Audiovisual Metonym · Deadpan (Steve McQueen, 1997) · Zoo (Salla Tykkä, 2006) · Zarathustra (Jesse Jones, 2008) Chapter 6: The Unfinished Film and Archival Partiality · Two Impossible Films (Mark Lewis, 1995) · Unfolding the Aryan Papers (Jane and Louise Wilson, 2009) · End Credits (Steve McQueen, 2012-2022) Conclusion: New Directions for Critical Engagements with Cinema in Artists'' Moving Image Bibliography Index inished Film and Archival Partiality · Two Impossible Films (Mark Lewis, 1995) · Unfolding the Aryan Papers (Jane and Louise Wilson, 2009) · End Credits (Steve McQueen, 2012-2022) Conclusion: New Directions for Critical Engagements with Cinema in Artists'' Moving Image Bibliography Index.