The third and final study of Fluentum's time-based art collection spotlights the early days of post-Soviet film art in in the 1990s and 2000s In the final issue of In Medias Res , Fluentum's project on the history of time-based art reviews the productivity inherent in moving images. New essays discuss the films shot in Fluentum's building beginning in the mid-1990s, as part of reunified Germany's nascent creative industry.