"In promotions for Martino's debut, you'll learn of the tactile elements: responses to scans of his mother's handwriting--her journal entries during his father's incarceration--and erasures of his own ekphrastic responses to polaroids of his parents. But the heart of this collection is Martino's devastating and assured lyric." --Rebecca Morgan Frank, Literary Hub "In Nick Martino's Scrap Book, love and fear blur together in the context of family trauma, addiction, estrangement, and the intimacies that can become their own rescuing landscape, filling in the distances between parent and child. Meanwhile, Martino's inventiveness with form enacts the restlessness of memory, its shapeshifting qualities in the face of a human impulse to know what was true, whom to trust. I loved the surprise, the tenderness, and the fearless precision of these poems; Scrap Book is an exciting debut, indeed." --Carl Phillips "Just over halfway into this searing and tender debut, Nick Martino writes, 'I confess to regarding my father / as a villain in my mother's history / of fire, incarceration, and silence.' This confession is remarkable not because it lays succinctly bare the core of Scrap Book's project, but because it is a found poem taken from one of the book's 'Polaroid' poem series. Isolated from the fabric of a(n erased) longer poem as if manifested using a cookie cutter, the poem is fragment, is both the tight quarters of a prison cell and also the (w)hole of the collection.

Scrap Book gathers memories--the speaker's as a child, that of one's parents; it pores over a mother's handwriting, zooming into swirls of a letter until the word is unrecognizable, composing with the family archive in order to unearth and assert the presence of a future self--an unborn son birthed and grown up. This is a deeply intimate, immaculately crafted, lyrical auto-ethnographic documentation of the unspoken hungers within a family. I am forever altered by its intimate investigations." --Diana Khoi Nguyen "Scrap Book is a striking and ambitious debut. For Nick Martino, love is non-linear and layered. The first devotions rattle the present and the future; regret ripples through devotion. Hard-won observations about family and the self are as exhilarating as the imagery and phrasing. The language will stay with you.

The language will surprise you. Cursive script tightens and explodes on the page. Recasting erasure poetry as 'Polaroids' is ingenious, impactful. Martino has written an inimitable first book." --Eduardo Corral, Author of Guillotine: Poems.