Preface Alma On the website FactsBuddy.com, you can find a short biography of me, the American journalist Amanda Hess. Facts Buddy describes itself as an optimistic website that targets to build a large audience for information, which means that it scans the internet for personal data and drops it into the template of a life. According to the internet, Amanda Hess is a woman of average stature. She was born to her caring and supportive parents in the United States of America. She writes about the internet, for which she receives satisfying pay. She is happily married to her handsome husband Marc, and the duo resides in Brooklyn along with their son Alma born in October 2020. It''s all true--my height, my job, my spouse.

Except for the bit about my son. In fact, I have two sons. The first was born in 2020, but not in the month of October. And his name is not Alma. When I first found my biography on Facts Buddy, it felt like I had accessed an alternate universe. Early in that pregnancy, I walked with Marc along the edge of a pond, our secret news crackling between us, and I told him that if the baby was a girl, I might want to name her Alma. Then a prenatal test found a Y-chromosome in fetal cells circulating in my blood, and my imagination scampered to another list of names. I mentioned Alma to no one else.

I have tried to figure out why Facts Buddy would think that I called my son that, and this is my best guess. In October of 2020, I posted his baby picture to Instagram. He is pink and small, and rests easily between the crook of Marc''s elbow and the palm of his hand. He wears a sky-blue bib that Marc commissioned from Etsy as an inside joke. Across the chest it says: For the hungry boy. That''s a quote from Phantom Thread, Paul Thomas Anderson''s 2017 film, for which I harbor a near-deranged affection. Phantom Thread is about a meticulous and obsessive dressmaker named Reynolds Woodcock, and upon its release, it quickly became one of our relationship source texts. Marc and I each often mimicked Reynolds''s bleating voice--I cannot begin my day with a confrontation, please--to slyly ask the other to leave them alone.

In the movie, Reynolds is charmed by a waitress named Alma when she serves him an obscenely large breakfast, along with a note that says: For the hungry boy. My name is Alma. I posted a screenshot of Alma''s note alongside the picture of the bib. Facts Buddy likely skimmed the data from those twin images and conflated them. For all that the internet thinks it knows about me--and I have volunteered a great deal--there are certain things that it can never know. It thinks, for example, that a meme is my son. When Facts Buddy calls him Alma, it makes me feel like I have, in some small way, evaded the internet''s unblinking eye. And that is how my son makes me feel all the time.

Like I''ve gotten away with something. Introduction Confrontation I did not know that anything was unusual until I was seven months pregnant. This week your baby can cry, my pregnancy app said. Yes, in the uterus! I waited in the lobby of the prenatal imaging center, stroking my phone until I depleted its stock of inane facts. My baby cried inside my body for the same reasons that it would cry outside of my body, like if they hear a loud noise or are bothered by something, the app said. Just as you might be starting to prepare for their arrival, they''re constantly preparing for life in the outside world. The app handed me a drawing of a frowning baby, a teardrop slipping down its cheek. Inside the exam room the technician wore a stumpy ponytail and an annoyed expression.

I wore a sheet of paper with armholes. She dimmed the lights and stood astride her mysterious station. I could see plastic scepters and orbs, a basket of serums, a keyboard with hieroglyphic markings. The technician unsheathed her wand. She slathered cold gel on my skin and worked her probe into the hard rind of my stomach. I assumed various poses at the technician''s command, bobbing and craning my neck to keep one eye focused on my young. On the screen, static rained on little ribs and fists. As the technician worked, she offered selections from her trove of professional small talk: do you know the sex, have you picked a name.

I wanted to slice the technician out of the scene, to watch my baby with silent focus, but I also wanted to seem normal and good. I told her the baby was a boy without a name. Then she said, "He''s sticking his tongue out," so I said, "Awwww." The technician fussed with the machine. She twisted its dials and clacked at its keys and then left the room. The gel grew thick on my skin. I missed my phone. I wondered if there were any new work emails in there.

When the technician returned, she ordered more poses, captured more shots. I had reported to the doctor''s office for a routine scan, but as in a dream, the routine kept repeating. We passed the plausible length of a standard procedure, then lapped it. Again, the technician left the room and returned. "The doctor is busy with another patient," she said. "That''s why it''s taking so long. I might as well get more photos while we wait." On her livestream of my body, she conjured a craggy amber landscape, a cave of mineral spires.

I asked her what it was. "An ear," she said. "Weird!" I said. My bright tone hung awkwardly in the darkened air. The technician''s store of conversation was picked clean. She now communicated in the perfunctory style of a deposition, answering only when strictly necessary. I searched her glassy eyes for clues. Were they always fixed so intensely on the screen? Dread pooled in my brain and danced in liquid shapes.

Stupid, stupid. The doctor was not with another patient and the technician was not taking more pictures for fun. I watched her map my baby''s ear for secret reasons. When she directed me to lie on my side, I gratefully accepted. I turned my back to her and the monitor. I turned my back on my baby. Later I would read a report of the ultrasound and learn that this phase of the examination had lasted for one hour. For an hour I lay on the table, playing dead.

I imagined that if I could stay completely still, the skeletal hand of complication might pass me by. It would crack the door to the next ultrasound room and tap on some other pregnant body. The moment would slink away like so many of the anxious thoughts that had visited me during my pregnancy. I was always anticipating the worst, imagining the plane dropping from the sky, the shooter breaching the office door. Soon the doctor would arrive smiling, apologizing for the delay. The technician would hand me a roll of keepsake photos. I would escape past the reception desk and rise through the elevator into the sun. Why did I say that: WEIRD! I said it out loud and welcomed the complication into the room.

I upset the tacit rules of the procedure--the technician takes the photographs, the doctor interprets them, I smile through my mask. Alone with the technician, I could imagine my baby as a nymph exploring the womb. Only when the doctor arrived did he become a specimen pinned behind the window of my skin. If I had said nothing, I still would have known that my pregnancy had been recategorized as a special medical case. But I could have pretended for a few more minutes that it had not. The errors I made during my pregnancy knocked at the door of my mind. I drank a glass and a half of wine on Marc''s birthday, before I knew I was pregnant. I swallowed a tablet of Ativan, for acute anxiety, after I knew.

I took a long hot bath that crinkled my fingertips. I got sick with a fever and fell asleep without thinking about it. I waited until I was almost thirty-five years old to get pregnant. I wanted to solve the question of myself before bringing another person into the world, but the answer had not come. Now my pregnancy was, in the language of obstetrics, geriatric. For seven months we''d all acted like a baby was going to come out of my body like a rabbit yanked from a hat. The same body that ordered mozzarella sticks from the late-night menu and stared into a computer like it had a soul. The body that had, just a few years prior, snorted a key of cocaine supplied by the party bus driver hired to transport it to Medieval Times.

This body was now working very seriously to generate a new human. I had posed the body for Instagram, clutching my bump with two hands as if it might bounce away. I had bought a noise machine with a womb setting and thrown away the box. Now I lay on the table as the doctor stood in his chamber, rewinding the tape of my life. My phone sat on an empty chair, six feet away. Smothered beneath my smug maternity dress, it blinked silently with text messages from Marc. If I had the phone, I could hold it close to the exam table and google my way out. I could pour my fears into its portal and process them into answers.

I could consult the pregnant women who came before me, dust off their old message board posts and read of long-ago ultrasounds that found weird ears and stuck-out tongues. They had dropped their babies'' fates into the internet like coins into a fountain and I would scrounge through them all, looking for the lucky penny. For the woman who returned to say, It turned out to be nothing. Trick of light. It was ludicrous, but in my panic, it felt incontrovertible: if I searched it smart and fast enough, the internet would save us. I had constructed my life through its screens, mapped the world along its circuits. Now I would make a second life there, too. As I write this, four years later, I see my hour on the table as the moment that my relationship with technology turned, its shadows.