List of Illustrations Notes on Contributors Series Preface Introduction: 'What country, friends, is this?': Twelfth Night 's Critical History, Emma Smith (University of Oxford, UK) 1. 'The House is Dark': Playing Night and Darkness in Twelfth Night Gwilym Jones (University of Westminster, UK) 2. Shipwreck, Sexual Experience and Servitude in Shakespeare's Twelfth Night : Identity Tokens from the Waters of the Roman, Ottoman and Italian Mediterranean Susanne Wofford (New York University, USA) 3. 'Not at home': Migration and Displacement in Twelfth Night Emma Smith (University of Oxford, UK) 4. Salt Waves Fresh : Ecological Adaptation in Australia Gretchen E. Minton (Montana State University, USA) 5. Transing the Crux: Sounding the 'O' in Cesario Natasha Korda (Wesleyan University, USA) 6. Foolish Things: Transgender Alternatives to Cesario Ezra Horbury (University of York, UK) 7.

Twelfth Night , Transmisogyny, and 'Original Practices' Sarah Wall-Randell (Wellesley College, USA) 8. The Afterlives of a Queer Pirate: Reading Antonio in Early Modernity Huw Griffiths (The University of Sydney, Australia) 9. Virtual Embodiment in Twelfth Night Louise Geddes (Adelphi University, USA) 10. As Men Say, Swear, and Prove: Constructing Black Masculinity in the Classical Theater of Harlem's Malvolio Vanessa I. Corredera (Baylor University, USA) 11. Occluded Orientalisms in Twelfth Night Katherine Hennessey (Wenzhou-Kean University, China) Select Bibliography Index.