With her documentaries and essay films since the late 1970s, Viennese filmmaker Ruth Beckermann has created an exciting and widely recognized body of personal/political cinema. Her work reflects on the relations between history and contemporaneity, on her life as a Jewish woman in postwar Austria and Europe, and on travelling and migration as modes of staying alive - literally as well as artistically. Beckermann's films speak about identity conflicts and the class struggle, about her family history in the Habsburg monarchy ( The Paper Bridge ) and the war generation as it confronts itself with the crimes of the Werhrmacht ( East of War ). Most recently, she has turned her sights towards the deep love affair between two poets, Paul Celan und Ingeborg Bachmann, in 1950s Vienna ( The Dreamed Ones ). This is the first book about Ruth Beckermann's multifaceted oeuvre, with original essays by critics and literary writers, rare illustrations and documents, and an in-depth conversation with the artist. Also included are Beckermann's reflections about her current project, The Case of Kurt Waldheim .