Introduction: Matters of Witchcraft in Early Modern English Drama Molly Hand (Florida State University, USA) and Andrew Loeb (Trent University, Canada) Part 1: Knowledge and Labour "Th' ingredience of our cauldron": Dead Animal Matter in Early Modern Witchcraft Narratives Keith Botelho (Kennesaw State University, USA) "Get him in bonds": Manuscript Conjuring and Labour in The Devil is an Ass Darryl Chalk (University of Southern Queensland, Australia) "A Beldam much renown'd": Poneria's Unnatural Magic in Ralph Knevet's Rhodon and Iris Kara McCabe (Tufts University, USA) Part 2: Bodies and Appetites "Hated like a sickness": Disease and Disability in The Witch of Edmonton Katey Roden (Gonzaga University, USA) Sex, Satan, and Sensation: The Materiality of Bodies in Witchcraft Belief Hannah Korell (University of Wisconsin Plattville, USA) "I have supp'd full with horrors": Witchcraft as Queer Famishment in Shakespeare's Macbeth Mel Vipperman-Cohen (California State University - Fullerton, USA) Part 3: Space and Structure Threshold Witchcraft Kaitlyn Culliton (Texas A&M University, USA) Anarchitectural Matter: The Queer Body of the Early Modern Witch Saraya Haddad (University of Birmingham, UK) Part 4: Page and Stage Out of the Mouths of Babes: Exploring the Nature of Child Testimony in The Late Lancashire Witches Melissa Pullara (Mount Royal University, Canada) Textual Spectacle and Immaterial Materiality in John Jones's Adrasta Andrew Loeb (Trent University, Canada) Why Look at Animal Familiars? Molly Hand (Florida State University, USA) Bibliography Index.