Acknowledgments Foreword Paul Julian Smith Introduction: Crisis TV: Hispanic Television Narratives after 2008 María del Carmen Caña Jiménez and Vinodh Venkatesh Section 1: Crisis Industries 1. From the Big Freeze to Peak TV: A Decade in the Spanish TV Drama Industry between Two Crises (2010-2020) Concepción Cascajosa Virino 2. The Perfect Storm: Chilean Audiovisual Fiction in Times of Globalization Lorena Antezana Barrios Section 2: Crisis Societies 3. Immigration, Exploitation, and Assemblage in Destino: São Paulo Dorian Lee Jackson 4. Notes on Prison Saga El Marginal : New Alliances and Transformations in the Argentine Serial Narrative Carolina Soria, translated by María Victoria Boano Section 3: Crisis Genres and Transnational Productions 5. Banking on Crisis Capitalism: Money and the State in Bank Heist Media Camilla Fojas 6. Televisual Narco Fiction in Times of Crisis: The Case of Fariña Francisca López Section 4: Crisis Temporalities: Rethinking the Past in the Present 7. Netflix and "España Global": Promoting Spain through Television Streaming in La casa de papel , Las chicas del cable , and Élite Joanne Britland 8.
Crises Upon Crisis: Game of Mirrors, Baroque Elements, and Cervantine Influences in La que se avecina María del Carmen Caña Jiménez Section 5: Crisis Futures: Superheroes and Science Fiction 9. Alternative Realities: Central American Science Fiction Television and the Reimagining of Society's Future Greg C. Severyn 10. Small-Screen Superheroes in Argentina and Mexico: Nafta Súper and Blue Demon Vinodh Venkatesh Closing Credits Conclusion: La Debacle Hernán Rodríguez Matte Contributors Index.