Introduction - Zhaoyu Zhu (University of Nottingham Ningbo China, China) and Xueyan Cheng (National University of Singapore, Singapore) I Narrative and Aesthetics 1. The Experimentality in Narrative: The Aesthetics and Cultural Identity in Ann Hui's Films - Chao Zhou (Ohio University, USA) 2. Narrative and Narrational Strategies in Ann Hui's The Way We Are (2008) - Gary Bettinson (Lancaster University, UK) 3. Rethinking Realism in Early Ann Hui's Televisual Work Boy from Vietnam (1978) - Raymond Tsang (University of Southern California, USA) 4. 'Remember My Name': Songs of the Book and Sword in Exile in Ann Hui's Historical Cinema - Faye Hui Xiao (University of Kansas, USA) 5. Uncanny Aesthetics and the Sonic Horror in The Secret (1979) - Jiadi (Jady) Jiang (University of Southampton, UK) 6. Reconstructing Hong Kong's Surroundings: Subtle Intervention, Self-Narrative, and Close Observation in Ann Hui's Documentaries - Zhaoyu Zhu II Gender and Femininity 7. Women, Space, Landscape: Classical Painting in Ann Hui's Love in a Fallen City (1984) -Dailin Zhao (Renmin University, China) 8.

Struggling in Between: Hong Kong Women as Postcolonial Subjects in Ann Hui's Summer Snow (1995) - Yiran Ai (University of Birmingham, UK) 9. The Female Body of Qi: Redefining Feminist Cinema Through Ann Hui's Tin-Shu-Wai Diptych - Weiting Fan (Chongqing University, China) 10. Reconstructing Sinophone Queerness: Representations of Female Queer Communities in Ann Hui's All About Love (2010) - Xueyan Cheng (National University of Singapore, Singapore) 11. An Alternative Resistance Story: Female Subjectivity, Theatricality and the Ambiguity of Mainland-Hong Kong Geopolitics in Ann Hui's Our Time Will Come (2017) - Han Li (Rhodes College, USA) III Displacement: Postcoloniality, Homeland, and Diaspora 12. The Position of Hong Kong: On Material, Space and Memory in Ann Hui's Vietnam Trilogy - Siao-Yun Chen (National Chung-Hsing University, Taiwan) 13. Exile or Vacation? Homeland in Ann Hui's Song of the Exile (1990) and My American Grandson (1991) - Louise Suk Man YIP (University of Heidelberg, Germany) 14. Beyond Failed Adaptation: A Postcolonial Contextual Rereading of Ann Hui's Film Adaptations of Eileen Chang - Gabriel F. Y.

Tsang (Hong Kong Baptist University, Hong Kong) 15. Postcolonial Aging, Amah, and Diaspora in A Simple Life (2011) - Jessica K. Chan (University of Richmond, USA) 16. Displacement and Alienation: Reading Xiaohong's Life of Exile through Ann Hui's The Golden Era (2014) - Chenfeng Wang (University of California, San Diego, USA) Endnotes Bibliography.