'The dichotomies of truth and fiction have proved to be over-simplistic tools for the analysis of the stories of fairies. Flood's brilliant and thoughtful book teases out the different functions of fairy narratives, revealing a range of surprising implications and destabilising many longstanding assumptions about fairies in medieval culture.' --Carolyne Larrington, Emerita Professor of medieval European literature, University of Oxford Delving into the relationship between medieval history and fiction, this book meticulously explores the political and cultural contexts around the entry of fairies to the historical record in twelfth-century England, and the subsequent uses of fairy narratives in both insular and continental history and romance. Beginning with accounts of fairy mothers in the works of Walter Map and Gerald of Wales, the book traces the uses of the fairy as a contested marker of historicity and fictionality in the continental mirabilia of Gervase of Tilbury, and the fourteenth- and fifteenth-century French Mélusine romances and their early English reception . Spanning diverse sources from across insular and continental Europe, Fantastic histories dissects the intricacies of history-writing and fiction-making practices. It investigates the culturally determined boundaries of wonder that defined the limits of medieval history, and how dominant political and cultural interests determined whose fantasies were false and whose were the stuff of history.