Introduction: Toward A Critical Phenomenology of "Film Work" - Kelli Fuery Part 1: Temporality The Psychology and Phenomenology of Play in Céline Sciamma's Petite Maman - Kate Ince Phenomenology in the Kitchen: Feeling Time Like a Feminist - Lori Marso For a Critical Phenomenology of Montage: John Akomfrah's Vertigo Sea --With Maurice Merleau-Ponty and Karen Barad - Domietta Torlasco The khôra -screen: Responsibility as a Precarious Intimacy in Agnès Varda's One Sings, The Other Doesn't - Kelli Fuery Part 2: Embodiment Human as Cosmos in Bill Viola's Five Angels for the Millennium : The Scattered Body of Scalar Configurations - Elena del Río The Posthumous Phenomenology of the Star Biopic: Kristen Stewart as Jean Seberg in Seberg - Lucy Bolton The Assassination of Marilyn Monroe by the Coward Andrew Dominik: An Existentialist Phenomenology of Cinematic Imagination - David Sorfa Eco Soma Methods and Disability Film Dance: Moving, Stumbling, Sliding - Petra Kuppers Echoing Images: Dark Reverberation and the Bachelardian Imagination of Folk Horror in Alex Garland's Men - Saige Walton Part 3: Transformation 'A Braid of Partial Syntheses': Husserl's Redetermination and the Visual Excess of the (K)not - Patrick Fuery New Phenomenological Approaches to Affect, Mood, and Atmospheres - Robert Sinnerbrink Swimming in Moonlight : On Viewing Black Masculinity Differently with bell hooks - Qrescent Mali Mason AI Phenomenology: Breath, Machine Learning, and Husserl, Polanyi, and Grosz's Relational Kinaesthesia - Lisa Müller-Trede.