Acknowledgments Introduction: Narrating Nature from the City Part I: Between Academia and Activism Chapter 1: Miquel Crusafont and Sabadell: Narratives about Paleontology (Spain, 1950?1973) Chapter 2: Environmentalism in Transition Part II: Between Knowledge and Entertainment Chapter 3: Wild at Heart: Zoological Gardens and the Urban Space Chapter 4: Mass Media and Urban Animals in History: The View from Interwar Britain Chapter 5: Teaching and Tinkering with Personal Computers in Catalan Rural Schools and Summer Camps (Spain, 1980s?1990s) Part III: Between Film and Literature Chapter 6: The Countryside in the Frame: Film Representations of Nature under Franco''s Dictatorship Chapter 7: Hunting Narratives in Twentieth-Century Spain: The Case of Miquel Delibes Chapter 8: From El Modena to Terminator: Imagining Green Utopian Places for the Anthropocene Part IV: Between Natural History and Television Chapter 9: Percy Smith: The Triple Liminality of an Urban Natural History Filmmaker in Interwar Britain Chapter 10: The Granada TV and Film Unit at the London Zoo: "Creating Adequate Opportunity for Observing Patterns for Amateur and Professional Zoologists Alike" Chapter 11: Televising Nature as Modernization: El Hombre y la Tierra (Man and the Earth, 1974?1981) in 1970s Spain Afterword: City of Silence, City of Stories: Or of Ghosts, Doors, and Subversion About the Contributorsntury Spain: The Case of Miquel Delibes Chapter 8: From El Modena to Terminator: Imagining Green Utopian Places for the Anthropocene Part IV: Between Natural History and Television Chapter 9: Percy Smith: The Triple Liminality of an Urban Natural History Filmmaker in Interwar Britain Chapter 10: The Granada TV and Film Unit at the London Zoo: "Creating Adequate Opportunity for Observing Patterns for Amateur and Professional Zoologists Alike" Chapter 11: Televising Nature as Modernization: El Hombre y la Tierra (Man and the Earth, 1974?1981) in 1970s Spain Afterword: City of Silence, City of Stories: Or of Ghosts, Doors, and Subversion About the Contributorsntury Spain: The Case of Miquel Delibes Chapter 8: From El Modena to Terminator: Imagining Green Utopian Places for the Anthropocene Part IV: Between Natural History and Television Chapter 9: Percy Smith: The Triple Liminality of an Urban Natural History Filmmaker in Interwar Britain Chapter 10: The Granada TV and Film Unit at the London Zoo: "Creating Adequate Opportunity for Observing Patterns for Amateur and Professional Zoologists Alike" Chapter 11: Televising Nature as Modernization: El Hombre y la Tierra (Man and the Earth, 1974?1981) in 1970s Spain Afterword: City of Silence, City of Stories: Or of Ghosts, Doors, and Subversion About the Contributorsntury Spain: The Case of Miquel Delibes Chapter 8: From El Modena to Terminator: Imagining Green Utopian Places for the Anthropocene Part IV: Between Natural History and Television Chapter 9: Percy Smith: The Triple Liminality of an Urban Natural History Filmmaker in Interwar Britain Chapter 10: The Granada TV and Film Unit at the London Zoo: "Creating Adequate Opportunity for Observing Patterns for Amateur and Professional Zoologists Alike" Chapter 11: Televising Nature as Modernization: El Hombre y la Tierra (Man and the Earth, 1974?1981) in 1970s Spain Afterword: City of Silence, City of Stories: Or of Ghosts, Doors, and Subversion About the Contributorstural History and Television Chapter 9: Percy Smith: The Triple Liminality of an Urban Natural History Filmmaker in Interwar Britain Chapter 10: The Granada TV and Film Unit at the London Zoo: "Creating Adequate Opportunity for Observing Patterns for Amateur and Professional Zoologists Alike" Chapter 11: Televising Nature as Modernization: El Hombre y la Tierra (Man and the Earth, 1974?1981) in 1970s Spain Afterword: City of Silence, City of Stories: Or of Ghosts, Doors, and Subversion About the Contributors.